“Evangeline” by Henry Wadsworth Longfellow resurrected an almost forgotten event in Canadian and American history and helped shaped a regional people.
Reading to our grandsons has taught us that the “social time” of reading is just as important as the reading itself — reading tells them they matter.
Jacob Polley’s poetry collection “Jackself” won the T.S. Eliot Poetry Prize for 2016, and it’s a work filled with folklore, childhood, and imagination.
Susan Lewis develops a theme of uncertainty in “Heisenberg’s Salon”; Shanna Powlus Wheeler interprets childhood and memory in “Lo & Behold.”
Frank Stanford (1948-1978) embodied William Wordsworth’s “The Child is father of the Man” in both his life and his poetry.
Dust off your cape or your princess cone hat and come along on an adventure with us. We’re reclaiming our childhood imagination and writing poetry about our wildest dreams.
The circus was spectacular, and it was meant to be. Everything seemed oversized – the elephants, the horses, even the tiny car filled with an impossible number of clowns.
In recent collections Rachel Heimowitz and J.L. Jacobs deal with the sense of place – contemporary Israel and the places of childhood and imagination.
“The Robot Scientist’s Daughter” by Jeannine Hall Gailey is a story of point-counterpoint of nature and technology, and the bargain we make between them.
The time between infancy and adulthood are but a blink. Come along as we examine The Short Years, courtesy of our Baby, Baby Poetry Prompt.
Writing poetry from art ignites creativity. For this Image-ine exercise, ponder children and a jump rope with poet Maureen Doallas and artist Lisa Hess Hesselgrave.
Writing poetry from art ignites creativity and helps you become a better writer. Join Maureen Doallas in this Image-ine exercise based on “Bedsheet, ” a painting by Lisa Hess Hesselgrave.
A Poets and Poems review of Roger McGough’s “As Far As I Know, ” a collection of poems published last year that includes both serious and fun poems.
Ghazal poetry sings the ache. For a lover, yes. But also, at times, for simple loss. Sing the ache of what cannot be reclaimed, in your ghazal poem.
Moving video poem: “Mortal Ghazal, ” by Luisa A. Igloria