So much is changing—has changed—in this world. Rebecca D. Martin finds a deep leaving-truth in her first villanelle and her first experience as a teacher.
Author Tania Runyan played with the prompts in ‘How to Write a Form Poem’ and wrote a triolet, rondel & rondelet in 1 day. Difficult, but fun!
What purposes does the art form of haiku serve best? Christopher Patchel considers this question, with the perspective of a graphic designer.
When Rick Maxson heard his wife singing, in a rare moment of freedom from pain, it needed a poem to hold his wonder. It needed a rondeau.
What poem do you really need to write, but can’t? The hiddenness of the acrostic might be just your poetic ticket. It was for Monica Sharman.
When you’re going round in grief, the rondeau might be your poetic form. Megan Willome found hers at mile 37.
What are the challenges and opportunities of the ghazal? John Drury explores the answers with you, in the rain…
Grief has the quailty of a kaleidoscope. So does the ghazal poem form. Aaron Brown mourns, through the ghazal, his war-torn city in Chad.
Prompted to write a villanelle, Sandra Heska King created a container for sorrow and endings. You could try it, too.
What can you find in a Field Guide? Maybe a poem with a corolla, breaking open. Claire Bateman did.
It’s difficult to tell a story with a sestina. And that’s exactly why Benjamin Myers explored a Muse story with this hard-to-hold form.
What two things must your villanelle have—to make it minimally successful? Find out in this Echo and Narcissus poem from poet John Poch!
Whether you’re teaching or learning, you’ll love being able to hear the poets read from ‘How to Write a Form Poem.’ Plus, see their regional items!
Can a sonnet be funny? (Should it be, especially if a household “disaster” is in progress?) Gabriel Spera chose amusement…
A lost red button calls out to become an ode for a wider memory in Janet Aalfs’ touching poem about her mother and more.
What do all Japanese poems have in common that might change how you view haiku? John Stevenson explores the answer…
Think the acrostic poem is too cute? Think again. Join Callie Feyen and Tania Runyan and see how risky the form can be.
What if one of your end words talked back, saying it needed to go? Murray Silverstein shows how you can be illuminated by your sestina’s own way.
When you think you’re grounded in reality, a form like the sonnet might lead you to the imaginary. It did for Susan Rothbard in her apple poem!
Can the villanelle come round again? Poet Richard Pierce responds to Dylan Thomas’s famous villanelle with a powerful one of his own.