American Mary Borden married a missionary, financed a hospital in World War I France, had an affair, published novels — and wrote poetry.
“Murder in the Cathedral” by T.S. Eliot, written and produced in 1935, was one of the last verse plays written for the stage. It is also oddly contemporary.
The poems of “Transplant, Trnasport, Transubstantiation” by Marjorie Maddox take us to the world of change and loss, and what sustains us.
In “Kiss the Earth,” Neal Sehgal breaks the boundaries of artistic forms, combining poetry and photography to challenge our understanding of each.
The poets of Instagram are helping to revitalize the reading of poetry, and r.h. Sin is one of them. His new collection is “I Hope This Reaches Her in Time.”
Walt Whitman celebrated the beginning of the Civil War, like many Americans on both sides. But as it dragged on, he — and his poetry — changed.
For generations, we’ve used the Civil War as a lens for viewing controversies. In his poem “For the Union Dead,” Robert Lowell considers the war — and a parking garage.
The Civil War has long been used as a lens for interpreting, understanding, and advocating contemporary issues. So has the poetry about the Civil War.
“Eye Level” by Jenny Xie, a collection of poems marked by spareness and precision, is the 2017 winner of the Walt Whitman Award.
One of the most famous poems to emerge from World War I was written by an American. Alan Seeger wrote “I Have a Rendezvous with Death” shortly before he died.
The Consequence of Moonlight, the latest collection of poetry by former Virginia Poet Laureate Sofia Starnes, reads like a vivid dream.
“Zoom” by Susan Lewis contains 57 poems representing a wild romp through words, language, phrases, metaphors, and just about everything else.
To read “The Chance for Home” by Mark Burrows is to immerse oneself in the quiet beauty of memory, experience, reflection, and, ultimately, hope.
The legend of King Arthur has captivated imaginations for centuries. Geoffrey of Monmouth started it, and even J.R.R. Tolkien tried his hand at it.
The poems of “Course” by Athena Kildegaard provide a kind of natural sanctuary, where one comes to watch and to listen to what the landscape has to say.
The 56 poems of “Two Towns Over” by poet Darren Demaree powerfully document the devastation of the opioid addiction crisis.
In her new poetry collection “No Such Thing as Distance,” what matters most to Karen Paul Holmes, both in her head and her heart, is family.
Eugene Field is perhaps the perfect poet for Take Your Poet to School Week. It was the schoolchildren of St. Louis who saved his house from demolition.
“Water in the Roots,” a collection of the writings and poetry of Philip Britts, describes the life, faith, and farming practices of the Bruderhof community.
Finding “Refusing Heaven” by Jack Gilbert in a Chicago-area bookstore leads to a consideration of what matters in these lives we live.