The 52 poems of “Ragged Anthem” by Chris Dombrowski describe the fragility and impermanence of life, in spite of an individual’s resilience.
“The Drum That Beats Within Us” by Mike Bond is a collection by a warrior poet, a warrior prepared to fight to the death with the soul of a poet.
Join us for deep reading with author Megan Willome as we discuss a poetry collection about plants for Poetic Earth Month. And share your March pages for our Reader, Come Home column.
“The Crossing Over,” the new poetry collection by Jen Karetnick, uses the ocean as metaphor, offering its bounty but demanding its sacrifices.
“Braiding Sweetgrass” by Robin Wall Kimmerer provided the prompts for Tweetspeak Poetry’s recent poetry party on Twitter. These are the final five poems.
Tweetspeak Poetry’s recent poetry party on Twitter resulted in ten poems about Skywoman, braiding sweetgrass, trees, and a gift.
S’more time! Join us for a Children’s Book Club discussion of a collection of camping poems called ‘Toasting Marshmallows’ by Kristine O’Connell George.
The poetry of Paul Kingsnorth is continually looking at the landscape, the landscape of the future superimposed on the landscape of the past.
“The Bell and the Blackbird,” the new poetry collection by David Whyte, is full of surprises but retains Whyte’s trademark simplicity and depth.
To read “The Chance for Home” by Mark Burrows is to immerse oneself in the quiet beauty of memory, experience, reflection, and, ultimately, hope.
The poems of “Course” by Athena Kildegaard provide a kind of natural sanctuary, where one comes to watch and to listen to what the landscape has to say.
Come write poetry inspired by Christina Rossetti’s list poem “The Months” and see if you like how she describes your birthday month.
We announce the winner of this year’s Poetry for Life Scholarship, Maria A. Esguerra.
Sandra Heska King has all the adventure—and alligators—she could ever want right in her own backyard, in the Everglades.
We send our best wishes to you for the season and the year to come with Henry Wadsworth Longfellow’s “Holidays.”
The poems of ‘Leaves Surface Like Skin” by Michelle Menting use the images and metaphors of nature to explore and explain the human condition.
In 1686, the English Puritan minister and writer John Bunyan published what we know today as “Divine Emblems,” the first book of poetry for children.
A trip to Maui Ocean Center’s vast aquarium offers opportunity for Laurie Klein to contemplate how a place can envelop as well as imprint itself on the soul.
Susan Lewis develops a theme of uncertainty in “Heisenberg’s Salon”; Shanna Powlus Wheeler interprets childhood and memory in “Lo & Behold.”
In two new poetry collections, poet Jen Karetnick asks us to consider the reality behind what is often invisible, be it illness or climate change.