“Love in the Time of Coronavirus” by Angela Alaimo O’Donnell is the poet’s journal of the pandemic year and its change and upheaval.
“Joe DiMaggio Moves Like Liquid Light” by Loren Broaddus is a collection of poems about baseball, but, like baseball, it’s about a lot more.
“Dense Poems & Socratic Light” by John Martin Finlay is the best collection of the poet’s published and unpublished work available.
“How to Write a Form Poem” by Tania Runyan is a guide to 10 poetic forms. It also stands as an ode to poetry.
In “Native Guard,” poet Natasha Trethewey considers what history often forgets, in this case a Black regiment that fought for the Union.
“Mostly Sonnets” by James Tweedie shows how the poetic form can also be used for important subjects other than love.
The 47 sonnets of “How Does He Love Me?” by Brad Lussier remind us that love is transcendent, eternal and unchanging.
In “The Gift of Life: An Epic in Verse,” poet Amanda Hall employs some 500 sonnets to tell a story of love amid contemporary life and culture.
Osip Mandelstam (1891-1938) was a leading poet in the Silver Age of Russian poetry, until ran afoul of the Stalinist regime.
The 47 poems of “My Father’s Face” by Chandra Gurung point to the contradictions of life inherent in all cultures and societies.
The poetry of “The Evening Sky” by Charles Hughes speaks to the mortality of life and focusing on what truly matters.
“The Next Time We Saw Paris” by Samuel Hazo is a poetry collection filled with wisdom, understanding, and the directness of experience.
The dreams of “Lost in the Hours,” the new poetry collection by River Dixon, offer reflection and respite, focusing on what matters.
In “Eat the Storms,” poet Damien Donnelly explores the layered meanings of color. allowing us different readings and different meanings.
“The Strangeness of the Good” by James Matthew Wilson celebrates the things in life that endure and that we share in our common humanity.
“Litany of Flights” by Laura Reece Hogan leaves us with a sense of wonder, the same wonder we feel when we see mountains for the first time.
The 100 poems of “Featherdusting the Moon” by Troy Cady exhibit a sense of play, accompanied by a sense of wisdom and humility.
After his childhood friend Geoffrey Bache Smith died in World War I, J.R.R. Tolkien self-imposed an obligation to publish Smith’s poetry.
In 1919, C.S. Lewis published a volume of poetry under a pseudonym. The collection reflected his experiences in World War I.
“Mania,” the first poetry volume published by Arran James Grant, could well be desscribed as a coming-of-age poetry collection.