“Bravery & Brevity,” the new poetry collection by Edward Holmes, is written from a place of transformation, moving from pain to hope.
“September 1, 1939” is one of Auden’s most famous poems. But British writer Ian Sansom sees the flaws. His biography of the poem and the poet is marvelous.
The poems of “An Ever River” by British poet David Russell remind us that we are part of a larger whole that continues, even when damaged and mended.
Simon Armitage is the new British poet laureate, and his most recent collection, “The Unaccompanied,” shows a poet at the top of his art.
Poet Mary Oliver showed us how to employ nature to come to terms with where we come from, and to point to where we might be going.
“Soft Launch,” the new poetry collection by Aaron Belz, reminds to us to stop and take a deep breath, even in the face of the daily apocalypse.
“And After All” by Rhina Espaillat is about all of our relationships, all of our interiors, the things that make our lives meaningful and important.
“Your Daughter’s Country” by poet John Dorsey takes readers back to their childhoods, and to the relatives and other people who were considered “characters.”
The poems and photographs of “The Inheritance” are about the people, places, and things that shape us. They may be ghosts, but they’re powerful ghosts.
“Rain and Embers” by Ali Nuri is a poetry collection telling a story of flight, a refugee camp, and new existence where past and present are never separate.
“On the Occasion of a Wedding,” the debut collection by poet Ollie Bowen, celebrates various kinds of love shared by two people.
The 60 poems of “Woodworm” by Matt Duggan are speaking to us to be more aware of the havoc being wreaked by the worms of our society.
“The Last Visit,” the debut collection by poet Chad Abushanab, explores the pain and brokenness of growing up in the family of an alcoholic.
The poems of “Kingdomland” by Rachael Allen depict a strange landscape, one that is both unfamiliar and oddly recognizable.
“Paradox” by the poet Incognito forces the reader to focus on the poems themselves by stripping away the identity of the poet.
In his new collection “Deaf Republic,” Ilya Kaminsky combines poetic form and thematic substance to tell a story of oppression and hope.
In “Herod’s Dispensations,” poet Harry Clifton considers Herod and his systems of ordering, and then considers the world we know today.
“The Threshold of Light,” a new chapbook by poet Michael Glaser, includes 21 poems filled with light as awareness, knowledge, energy, life, and grace.
The 52 poems of “Ragged Anthem” by Chris Dombrowski describe the fragility and impermanence of life, in spite of an individual’s resilience.
Shanna Powlus Wheeler’s first full poetry collection, “Evensong for Shadows,” suggests the omnipresence of grief — a measure of the loss of love or happiness or relationship, and very much a part of life.