“Zoom” by Susan Lewis contains 57 poems representing a wild romp through words, language, phrases, metaphors, and just about everything else.
To read “The Chance for Home” by Mark Burrows is to immerse oneself in the quiet beauty of memory, experience, reflection, and, ultimately, hope.
The legend of King Arthur has captivated imaginations for centuries. Geoffrey of Monmouth started it, and even J.R.R. Tolkien tried his hand at it.
The poems of “Course” by Athena Kildegaard provide a kind of natural sanctuary, where one comes to watch and to listen to what the landscape has to say.
The 56 poems of “Two Towns Over” by poet Darren Demaree powerfully document the devastation of the opioid addiction crisis.
In her new poetry collection “No Such Thing as Distance,” what matters most to Karen Paul Holmes, both in her head and her heart, is family.
“Water in the Roots,” a collection of the writings and poetry of Philip Britts, describes the life, faith, and farming practices of the Bruderhof community.
Finding “Refusing Heaven” by Jack Gilbert in a Chicago-area bookstore leads to a consideration of what matters in these lives we live.
Irish poet Francis Ledwidge is not one of the better known poets of World War I, because he was an Irishman who fought for the British Army.
The Floodgate Poetry Series brings together three poetry chapbooks that demonstrate some of the beautiful poetry being written today.
Once told he had only months to live, Clive James wrote a book of poetry. The months became years, and now he’s written another, “Injury Time.”
“One Million Tiny Cuts” by poet Matt Duggan is a bold, angry collection of poems, full of vivid images and metaphors, and a kind of fist raised at society.
“Night Sky with Exit Wounds” by Ocean Vuong has won the 2017 T.S. Eliot Prize. It is a stunning, haunting, and disquieting collection.
“Oyster” by Scottish poet Michael Pedersen is a jarring, irreverent poetry collection that wallops you with unexpected tenderness.
“Almost Entirely” by Jennifer Wallace contains 73 poems that look deeply at what makes us human, and what is within us that keeps reaching for the divine.
The 54 poems of “What Will Soon Take Place” by Tania Runyan are inspired by an unexpected source — the Book of Revelation in the Bible.
“On Balance,” the new poetry collection by Sinead Morrissey, reminds us that technology brings both the good and the tradeoff.
“Wild Embers” by Nikita Gill, comprising 113 relatively short poems, is a snapshot of a poet’s popularity on social media.