“Tropic of Squalor” by poet and memorist Mary Karr demonstrates Karr’s well-earned reputation for excellence in imagery and metaphor.
“The Long Take” by British poet Robin Robertson, shortlisted for the 2018 Man Booker Prize, is a poetry book, a novel, and a noir movie.
The poetry of Paul Kingsnorth is continually looking at the landscape, the landscape of the future superimposed on the landscape of the past.
“The Bell and the Blackbird,” the new poetry collection by David Whyte, is full of surprises but retains Whyte’s trademark simplicity and depth.
American Mary Borden married a missionary, financed a hospital in World War I France, had an affair, published novels — and wrote poetry.
The poems of “Transplant, Trnasport, Transubstantiation” by Marjorie Maddox take us to the world of change and loss, and what sustains us.
In “Kiss the Earth,” Neal Sehgal breaks the boundaries of artistic forms, combining poetry and photography to challenge our understanding of each.
The poets of Instagram are helping to revitalize the reading of poetry, and r.h. Sin is one of them. His new collection is “I Hope This Reaches Her in Time.”
“Eye Level” by Jenny Xie, a collection of poems marked by spareness and precision, is the 2017 winner of the Walt Whitman Award.
The Consequence of Moonlight, the latest collection of poetry by former Virginia Poet Laureate Sofia Starnes, reads like a vivid dream.
“Zoom” by Susan Lewis contains 57 poems representing a wild romp through words, language, phrases, metaphors, and just about everything else.
To read “The Chance for Home” by Mark Burrows is to immerse oneself in the quiet beauty of memory, experience, reflection, and, ultimately, hope.
The legend of King Arthur has captivated imaginations for centuries. Geoffrey of Monmouth started it, and even J.R.R. Tolkien tried his hand at it.
The poems of “Course” by Athena Kildegaard provide a kind of natural sanctuary, where one comes to watch and to listen to what the landscape has to say.
The 56 poems of “Two Towns Over” by poet Darren Demaree powerfully document the devastation of the opioid addiction crisis.
In her new poetry collection “No Such Thing as Distance,” what matters most to Karen Paul Holmes, both in her head and her heart, is family.
“Water in the Roots,” a collection of the writings and poetry of Philip Britts, describes the life, faith, and farming practices of the Bruderhof community.
Finding “Refusing Heaven” by Jack Gilbert in a Chicago-area bookstore leads to a consideration of what matters in these lives we live.
Irish poet Francis Ledwidge is not one of the better known poets of World War I, because he was an Irishman who fought for the British Army.
The Floodgate Poetry Series brings together three poetry chapbooks that demonstrate some of the beautiful poetry being written today.