“Les Fauves,” the newest collection of poetry by Barbara Crooker, is inspired by the paintings of the Fauvism movement, especially those of Henri Matisse.
Dave Malone may write about his beloved Missouri Ozarks, but the poems he writes are universal, and about family, friends, and geography.
“The Seasons of Cullen Church” by Bernard O’Donoghue is moving and soul-searching, an exploration of the memories that make a life.
“Let Them Eat Chaos” by Kate Tempest is a long poem written to be read aloud, and it blows up the boundaries between poetry and performance.
In “Mariner: A Voyage with Samuel Taylor Coleridge,” Malcolm Guite tells the story of the poet’s life through the words and themes of his most famous poem.
“Still Pilgrim” by poet Angela Alaimo O’Donnell tells us that both the major events of our lives and the everyday are but steps in a pilgrimage.
“The Performance of Becoming Human” by Daniel Borzutzky won the National Book Award for Poetry, and its 18 poems confront political and social issues.
Before “The Hobbit” and “The Lord of the Rings,” there were “The Children of Hurin” and “The Lay of Aotrou & Itroun” by J.R.R. Tolkien.
Jacob Polley’s poetry collection “Jackself” won the T.S. Eliot Poetry Prize for 2016, and it’s a work filled with folklore, childhood, and imagination.
James Laughlin Award winner “The End of Pink” by Kathryn Nuernberger is a wild, exuberant poetry collection, sitting there at the frontier of imagination.
Susan Lewis develops a theme of uncertainty in “Heisenberg’s Salon”; Shanna Powlus Wheeler interprets childhood and memory in “Lo & Behold.”
“Deep Lane” by Mark Doty includes nine poems with the title of “Deep Lane, ” and creates a sense of emotional if not physical distance.
Collections by Sandee Gertz Umbach and Lori Lamothe demonstrate how poets shape their words and images to communicate what inspires them.
“Disinheritance” by John Sibley Williams is a beautiful, moving collection of poems dealing with grief, both real and imagined.
In “Dystopia 38.10, ” poet Matthew Duggan takes the post-apocalyptic idea of dystopia and vividly applies it to contemporary society.
Reading poetry can lead to the discovery of other poets and their poetry, such as what happened when other poets led to Norman Nicholson and Frank Stanford.
“Wife, ” winner of the Forward Prize for best first collection, challenges our notions of what marriage mean, but ends up reaffirming the idea of commitment.
Forward Prize winner Vahni Capildeo and her “Measures of Expatriation” challenge our notions of what a poetry collection is and can be.