The language of “Three Poems” by Hannah Sullivan, the 2018 T.S. Eliot Prize winner, is sharp, clear, and devoid of ambiguity. And it is indeed three poems.
In “Black Sunday,” Benjamin Myers uses poetry to explore and illustrate what happened to the people and the land during the Dust Bowl of the 1930s.
The poems of “Otherworld, Underworld, Prayer Porch” by David Bottoms reach back to the people and stories that shape our minds and hearts.
The poems of “To Keep from Undressing” by Aisha Sharif tell the powerful story of a black woman and her Muslim faith in America.
The poems of the 2018 National Book Award for Poetry Winner “Indecency” by Justin Phillip Reed are as haunting as the streets they come from.
The poems of “The Hanging God” by James Matthew Wilson present an irresistible urge, almost a compulsion, to reread them to find new layers of meaning.
“A Season in Another World” by British poet Matt Duggan takes us on a journey steeped in legend, myth, fable, and fairy tale.
In “Planet-Shaped Horse” by British poet Luke Kennard, be prepared for fun-punched discoveries about words, language, ideas, and conventions.
“Tropic of Squalor” by poet and memorist Mary Karr demonstrates Karr’s well-earned reputation for excellence in imagery and metaphor.
“The Long Take” by British poet Robin Robertson, shortlisted for the 2018 Man Booker Prize, is a poetry book, a novel, and a noir movie.
The poetry of Paul Kingsnorth is continually looking at the landscape, the landscape of the future superimposed on the landscape of the past.
“The Bell and the Blackbird,” the new poetry collection by David Whyte, is full of surprises but retains Whyte’s trademark simplicity and depth.
American Mary Borden married a missionary, financed a hospital in World War I France, had an affair, published novels — and wrote poetry.
The poems of “Transplant, Trnasport, Transubstantiation” by Marjorie Maddox take us to the world of change and loss, and what sustains us.
In “Kiss the Earth,” Neal Sehgal breaks the boundaries of artistic forms, combining poetry and photography to challenge our understanding of each.
The poets of Instagram are helping to revitalize the reading of poetry, and r.h. Sin is one of them. His new collection is “I Hope This Reaches Her in Time.”
“Eye Level” by Jenny Xie, a collection of poems marked by spareness and precision, is the 2017 winner of the Walt Whitman Award.
The Consequence of Moonlight, the latest collection of poetry by former Virginia Poet Laureate Sofia Starnes, reads like a vivid dream.
“Zoom” by Susan Lewis contains 57 poems representing a wild romp through words, language, phrases, metaphors, and just about everything else.
To read “The Chance for Home” by Mark Burrows is to immerse oneself in the quiet beauty of memory, experience, reflection, and, ultimately, hope.