In “Herod’s Dispensations,” poet Harry Clifton considers Herod and his systems of ordering, and then considers the world we know today.
“The Threshold of Light,” a new chapbook by poet Michael Glaser, includes 21 poems filled with light as awareness, knowledge, energy, life, and grace.
The 52 poems of “Ragged Anthem” by Chris Dombrowski describe the fragility and impermanence of life, in spite of an individual’s resilience.
Shanna Powlus Wheeler’s first full poetry collection, “Evensong for Shadows,” suggests the omnipresence of grief — a measure of the loss of love or happiness or relationship, and very much a part of life.
Thanks to Horace Traubel, we know much about Walt Whitman’s last years, Brenda WIneapple says in “Walt Whitman Speaks.”
“Be With” by Forrest Gander won the 2019 Pulitzer Prize for Poetry. The quietly stunning collection stimulates reflection and introspection on every page.
The poetry of Catharine Savage Brosman, especially in her later collections, is about travel, and the love she has for her “then and now again” husband.
Poet Michael Spence published four collections during 30 years as a bus driver. His fifth, “Umbilical,” won the New Criterion Poetry Prize.
“The Drum That Beats Within Us” by Mike Bond is a collection by a warrior poet, a warrior prepared to fight to the death with the soul of a poet.
The poems of “Feel Free,” the newest collection by Irish poet Nick Laird, explore ideas of freedom and restraints, opening up worlds of imagination.
In her new poetry collection, “Insistence,” Ailbhe Darcy explores the responsibility of the poet and the individual to address great issues of the day.
“The Banished Immortal” by Ha Jin tells the story of Li Bai, considered China’s greatest poet, in an account drawn largely from his poetry.
“The Crossing Over,” the new poetry collection by Jen Karetnick, uses the ocean as metaphor, offering its bounty but demanding its sacrifices.
In “Shrines of Upper Austria,” British poet Phoebe Power explores a common theme in contemporary power — identity, her own and that of her grandmother.
Jean Moorcroft Wilson’s new biography of war poet Robert Graves allows the reader to walk in his shoes and understand his poetry and his odd personal life.
The poems of “Some Permanent Things” by James Matthew Wilson speak to the transient and the permanent in our history, our lives, and our future.
The language of “Three Poems” by Hannah Sullivan, the 2018 T.S. Eliot Prize winner, is sharp, clear, and devoid of ambiguity. And it is indeed three poems.
In “Black Sunday,” Benjamin Myers uses poetry to explore and illustrate what happened to the people and the land during the Dust Bowl of the 1930s.
The poems of “Otherworld, Underworld, Prayer Porch” by David Bottoms reach back to the people and stories that shape our minds and hearts.
“Braiding Sweetgrass” by Robin Wall Kimmerer provided the prompts for Tweetspeak Poetry’s recent poetry party on Twitter. These are the final five poems.