Jacob Polley’s poetry collection “Jackself” won the T.S. Eliot Poetry Prize for 2016, and it’s a work filled with folklore, childhood, and imagination.
James Laughlin Award winner “The End of Pink” by Kathryn Nuernberger is a wild, exuberant poetry collection, sitting there at the frontier of imagination.
St. Valentine’s Day may be a huge industry today, but it started with an imprisoned priest, a young girl, and a letter in ancient Rome.
Susan Lewis develops a theme of uncertainty in “Heisenberg’s Salon”; Shanna Powlus Wheeler interprets childhood and memory in “Lo & Behold.”
“Deep Lane” by Mark Doty includes nine poems with the title of “Deep Lane, ” and creates a sense of emotional if not physical distance.
Collections by Sandee Gertz Umbach and Lori Lamothe demonstrate how poets shape their words and images to communicate what inspires them.
“Pickwick Papers” explains why Charles Dickens first became popular, but “David Copperfield” demonstrates why Dickens has endured.
It’s Poetry at Work Day 2017! Join Tweetspeak Poetry in celebrating how poetry infuses our work and our workplaces, whatever and wherever they are.
“Disinheritance” by John Sibley Williams is a beautiful, moving collection of poems dealing with grief, both real and imagined.
Part 2 of Tweetspeak’s recent poetry party on Twitter was guided by prompts from “The Odyssey” by Homer, and 10 would-be Homers produced some epic poems.
“The Odyssey” by Homer provided the prompts for Tweetspeak’s recent poetry party on Twitter, and 10 would-be Homers wrote their own epic poems.
In “Dystopia 38.10, ” poet Matthew Duggan takes the post-apocalyptic idea of dystopia and vividly applies it to contemporary society.
Reading poetry can lead to the discovery of other poets and their poetry, such as what happened when other poets led to Norman Nicholson and Frank Stanford.
In times of great change – political, social, economic – we turn to poetry to make sense of what seems nonsensical, to comfort, to explain, says poet Jane Hirshfield.
“Wife, ” winner of the Forward Prize for best first collection, challenges our notions of what marriage mean, but ends up reaffirming the idea of commitment.
Forward Prize winner Vahni Capildeo and her “Measures of Expatriation” challenge our notions of what a poetry collection is and can be.
Some 24 manuscripts, dated from 1798 to 1839, exist for “The Prelude, ” the autobiographical poem by William Wordsworth; they show the poetry of revision.
Influenced by the American and French revolutions, William Wordsworth wrote poetry that used common language and spoke to feelings and imagination.