The 56 poems of “Two Towns Over” by poet Darren Demaree powerfully document the devastation of the opioid addiction crisis.
In her new poetry collection “No Such Thing as Distance,” what matters most to Karen Paul Holmes, both in her head and her heart, is family.
Eugene Field is perhaps the perfect poet for Take Your Poet to School Week. It was the schoolchildren of St. Louis who saved his house from demolition.
Writer Ian Doescher has taken the stories of “Star Wars” and applied Shakespeare to them, as in “The Empire Striketh Back.”
“Water in the Roots,” a collection of the writings and poetry of Philip Britts, describes the life, faith, and farming practices of the Bruderhof community.
Finding “Refusing Heaven” by Jack Gilbert in a Chicago-area bookstore leads to a consideration of what matters in these lives we live.
Irish poet Francis Ledwidge is not one of the better known poets of World War I, because he was an Irishman who fought for the British Army.
The Floodgate Poetry Series brings together three poetry chapbooks that demonstrate some of the beautiful poetry being written today.
Once told he had only months to live, Clive James wrote a book of poetry. The months became years, and now he’s written another, “Injury Time.”
“Grief Is the Thing with Feathers” by British author Max Porter is officially a novel, but it could also be poetry, or something else. And it’s wonderful.
“One Million Tiny Cuts” by poet Matt Duggan is a bold, angry collection of poems, full of vivid images and metaphors, and a kind of fist raised at society.
“Night Sky with Exit Wounds” by Ocean Vuong has won the 2017 T.S. Eliot Prize. It is a stunning, haunting, and disquieting collection.
“Oyster” by Scottish poet Michael Pedersen is a jarring, irreverent poetry collection that wallops you with unexpected tenderness.
“Almost Entirely” by Jennifer Wallace contains 73 poems that look deeply at what makes us human, and what is within us that keeps reaching for the divine.
Today is Poetry at Work Day 2018. Most poets have day jobs, because poetry isn’t that lucrative a profession. But poetry is inherent in all work.
The 54 poems of “What Will Soon Take Place” by Tania Runyan are inspired by an unexpected source — the Book of Revelation in the Bible.
“On Balance,” the new poetry collection by Sinead Morrissey, reminds us that technology brings both the good and the tradeoff.
“Great Expectations” by Charles Dickens is one of his best and most beloved novels, one he initially described as “fine, new, and grotesque.”