The poems of “The Hanging God” by James Matthew Wilson present an irresistible urge, almost a compulsion, to reread them to find new layers of meaning.
“A Season in Another World” by British poet Matt Duggan takes us on a journey steeped in legend, myth, fable, and fairy tale.
In “Planet-Shaped Horse” by British poet Luke Kennard, be prepared for fun-punched discoveries about words, language, ideas, and conventions.
“Tropic of Squalor” by poet and memorist Mary Karr demonstrates Karr’s well-earned reputation for excellence in imagery and metaphor.
World War I is the war most closely associated with poetry; poetry characterized the war, and the war changed poetry unlike any war before or since.
“The Long Take” by British poet Robin Robertson, shortlisted for the 2018 Man Booker Prize, is a poetry book, a novel, and a noir movie.
The poetry of Paul Kingsnorth is continually looking at the landscape, the landscape of the future superimposed on the landscape of the past.
Patriotic poems like “Paul Revere’s Ride” and “I Hear America Singing” were once quite common, but can you think of a patriotic poem of the last 20 years?
To enter the Anne Frank House in Amsterdam, with its rooms approximating where eight people hid for two years, is to enter the poetry of silence.
Writer Eddy Harris canoed the Mississippi River in 1985, and he discovered that the river has its personality, its mood, and its conversations.
“The Bell and the Blackbird,” the new poetry collection by David Whyte, is full of surprises but retains Whyte’s trademark simplicity and depth.
With his stories of Middle-earth, J.R.R. Tolkien gave us a legacy of abounding creativity and imagination, explaining how myths are made.
“The Fall of Gondolin,” the last of the tales of J.R.R. Tolkien, includes all of the author’s trademark themes and devices, including orcs and balrogs.
American Mary Borden married a missionary, financed a hospital in World War I France, had an affair, published novels — and wrote poetry.
The gothic novel “Frankenstein” by Mary Shelley is 200 years old this year, and its core concern about the unintended consequences of science still apply.
“Murder in the Cathedral” by T.S. Eliot, written and produced in 1935, was one of the last verse plays written for the stage. It is also oddly contemporary.
The poems of “Transplant, Trnasport, Transubstantiation” by Marjorie Maddox take us to the world of change and loss, and what sustains us.
A new exhibition on J.R.R. Tolkien has opened at the Bodleian Library in Oxford, and the catalog book is a treasure in and of itself.
Sara Teasdale lived 34 of her 48 years in St. Louis; she was born and buried there, and St. Louis can claim her as one of its own poets.
In “Kiss the Earth,” Neal Sehgal breaks the boundaries of artistic forms, combining poetry and photography to challenge our understanding of each.