Irish poet Francis Ledwidge is not one of the better known poets of World War I, because he was an Irishman who fought for the British Army.
The Floodgate Poetry Series brings together three poetry chapbooks that demonstrate some of the beautiful poetry being written today.
Once told he had only months to live, Clive James wrote a book of poetry. The months became years, and now he’s written another, “Injury Time.”
“Grief Is the Thing with Feathers” by British author Max Porter is officially a novel, but it could also be poetry, or something else. And it’s wonderful.
“One Million Tiny Cuts” by poet Matt Duggan is a bold, angry collection of poems, full of vivid images and metaphors, and a kind of fist raised at society.
“Night Sky with Exit Wounds” by Ocean Vuong has won the 2017 T.S. Eliot Prize. It is a stunning, haunting, and disquieting collection.
“Oyster” by Scottish poet Michael Pedersen is a jarring, irreverent poetry collection that wallops you with unexpected tenderness.
“Almost Entirely” by Jennifer Wallace contains 73 poems that look deeply at what makes us human, and what is within us that keeps reaching for the divine.
Today is Poetry at Work Day 2018. Most poets have day jobs, because poetry isn’t that lucrative a profession. But poetry is inherent in all work.
The 54 poems of “What Will Soon Take Place” by Tania Runyan are inspired by an unexpected source — the Book of Revelation in the Bible.
“On Balance,” the new poetry collection by Sinead Morrissey, reminds us that technology brings both the good and the tradeoff.
“Great Expectations” by Charles Dickens is one of his best and most beloved novels, one he initially described as “fine, new, and grotesque.”
“Wild Embers” by Nikita Gill, comprising 113 relatively short poems, is a snapshot of a poet’s popularity on social media.
“In These Days of Prohibition” by poet Caroline Bird forces us to see the meaning of ourselves and the life around us in different and unexpected ways.
British poet Simon Armitage has translated the late Middle English poem “Pearl,” a beautiful poem about a father’s grief and how he resolves it.
In “The Amoeba Game,” poet Tara Skurtu explores her American and Romanian roots and writes about life, childhood, self-discovery, and identity.
In 1922, everything changed in literature, as James Joyce’s “Ulysses” and T.S. Eliot’s “The Waste Land” brought modernism to fiction and poetry.
This Halloween, your black cat can be the instrument of vengeance in the Poe story, or the amber-eyed feline in the poem by Rilke. Or it can be like Kiddy.
In “Cain: Poems,” British poet Luke Kennard has brought the biblical character of Cain into contemporary life, with funny and poignant results.
The poems of ‘Leaves Surface Like Skin” by Michelle Menting use the images and metaphors of nature to explore and explain the human condition.