“Grief Is the Thing with Feathers” by British author Max Porter is officially a novel, but it could also be poetry, or something else. And it’s wonderful.
“One Million Tiny Cuts” by poet Matt Duggan is a bold, angry collection of poems, full of vivid images and metaphors, and a kind of fist raised at society.
“Oyster” by Scottish poet Michael Pedersen is a jarring, irreverent poetry collection that wallops you with unexpected tenderness.
“On Balance,” the new poetry collection by Sinead Morrissey, reminds us that technology brings both the good and the tradeoff.
“Great Expectations” by Charles Dickens is one of his best and most beloved novels, one he initially described as “fine, new, and grotesque.”
“Wild Embers” by Nikita Gill, comprising 113 relatively short poems, is a snapshot of a poet’s popularity on social media.
“In These Days of Prohibition” by poet Caroline Bird forces us to see the meaning of ourselves and the life around us in different and unexpected ways.
British poet Simon Armitage has translated the late Middle English poem “Pearl,” a beautiful poem about a father’s grief and how he resolves it.
In 1922, everything changed in literature, as James Joyce’s “Ulysses” and T.S. Eliot’s “The Waste Land” brought modernism to fiction and poetry.
In “Cain: Poems,” British poet Luke Kennard has brought the biblical character of Cain into contemporary life, with funny and poignant results.
“A Tale of Two Cities” by Charles Dickens, one of the most quoted works of English literature, continues to speak to the human condition.
Peter Parker, in “Housman Country: Into the Heart of England,” explains why “A Shropshire Lad” became one of the most popular poetry books of the 20th century.
“Beren and Luthien” by J.R.R. Tolkien is the latest story edited by his son and literary executor Christopher Tolkien, and one of the earliest he wrote.
Surprisingly, “Oliver Twist” by Charles Dickens isn’t one of his best works, but it contains elements of the genius for which he’d become famous.
A book of essays first published in 1916 provides a window into poetry and its practitioners, as well as how poetry was taught in classrooms.
“Say Something Back” by British poet Denise Riley considers the ways we do and don’t communicate, almost a plea to listen and hear each other.
“Everything to Nothing” by Geert Buelens provides a fascinating look into the breadth and depth of the role poetry played in World War I.
The paintings of artist Donald Wilkinson evoke the landscape and poetry of William Wordsworth, so much so that landscape and poetry become one.