How best to write tragedy? Poet David K. Wheeler suggests the soft sorrow of the pantoum.
Through a time of grief, Michelle Ortega discovered the haibun, and its interplay with haiku and prose poem forms, offered a place of reflection and healing.
Shanna Powlus Wheeler’s first full poetry collection, “Evensong for Shadows,” suggests the omnipresence of grief — a measure of the loss of love or happiness or relationship, and very much a part of life.
“Grief Is the Thing with Feathers” by British author Max Porter is officially a novel, but it could also be poetry, or something else. And it’s wonderful.
British poet Simon Armitage has translated the late Middle English poem “Pearl,” a beautiful poem about a father’s grief and how he resolves it.
“Say Something Back” by British poet Denise Riley considers the ways we do and don’t communicate, almost a plea to listen and hear each other.
“Disinheritance” by John Sibley Williams is a beautiful, moving collection of poems dealing with grief, both real and imagined.
Two recent collections by Chelsea Rathburn and Kristina Marie Darling both deal with grief, but it is a grief different from that over physical death.
Tim Kendall’s anthology “Poetry of the First World War” explains how poetry came to be so connected with “the war to end all wars.”
“The sea is calm tonight…” An evocative poem analysis focusing on the imagery in Matthew Arnold’s Dover Beach. Insightful and helpful…
Poet Patty Paine confides that “poetry, the reading and the writing of it, has saved my life.”
A stroll, even in familiar neighborhoods, can prompt reflection, imagination, discovery, and insight. Perhaps it could be called the poetry of walking.
Surprised by Scotland, a writer finds herself taken by her past, her present with Scottish poets, and maybe (who knows) her future.
There is poetry at work in the most convulsive of organizational upheavals, often called regime change. Charles Bukowski’s poem helps understanding.
Grace Schulman’s new collection of poems “Without a Claim” creates quiet repose in the face of discontinuity. Can poets and poems make sense of this?
Try your hand at a night poem that easily captures the ambiguity of darkness, simply by virtue of its form.
Poets and Poems looks at “Poems to Elsi” by R.S. Thomas, which provides insight into the Thomas marriage of more than 50 years.
Jean Sprackland’s “Sleeping Keys” quietly underscores the importance of what lies unrecognized and forgotten—a thoughtful selection for Poets and Poems.
Ghazal poetry was traditionally a sung form, invoking other traditional symbols like the gazelle. Invoke an old song image for your own?
Get inked with your author; give us a poem that tells the tale.