“Come Looking” by River Dixon and “We Grow in Groves” by Thomas Colquith explore regret, loss, and life in different poetic ways.
Poets Scott Owens and David Chorlton might rightfully be call “poets of the land” But the lands they immerse themselves in are very different.
Susan Lewis develops a theme of uncertainty in “Heisenberg’s Salon”; Shanna Powlus Wheeler interprets childhood and memory in “Lo & Behold.”
Collections by Sandee Gertz Umbach and Lori Lamothe demonstrate how poets shape their words and images to communicate what inspires them.
New collections by poets Stephanie Rogers and Katie Manning are infused with a sense of loss, displacement, and a grittiness that fits their subjects.
Teow Lim Goh seeks meaning in an immigration detention center, while Marjorie Maddox seeks spiritual understanding in the the study of literature.
Poets Kelly Hansen Maher and Heather Derr-Smith write about lives as women, one on miscarriages and the other on relationships.
Poetry collections by Elizabeth Onusko and Athena Kildegaard show how poetry can diagnose society’s illnesses and problems.
Recent poetry collections by Lucia Cherciu and Sarah Nichols reflect the poetry of exile, but in very different ways – exile from one’s country and voluntary exile and isolation.
Poetry is often used to describe relationships, as recent collections by Dinah Dietrich and Diane Lockward show.
Both Jen Karetnick and E. Kristin Anderson use subjects in popular culture to inspire their poetry: Karetnick writes about food; Anderson, about the pop star Prince.
Two recent collections by Chelsea Rathburn and Kristina Marie Darling both deal with grief, but it is a grief different from that over physical death.
In two recent collections, poets Joan Murray and Ellen Kombiyil demonstrate the power of poetry for telling stories.
Two recent poetry collections, by Shelley Puhak and Jennifer Sweeney, illustrate how well poetry can convey the idea of longing.
Imagery is a critical aspect of poetry, and using it well, as Molly Fisk and Miriam Bird Greenberg do, significantly enhances the strength of the writing.
Poets Donna Vorreyer and Paula Marie Coomer write about their lives, showing us that poetry is work and it is like windows into the soul.
Two poets – Megan Fernandes and Sandra Marchetti – write words that linger in the memory long after the books are closed.
In recent collections Rachel Heimowitz and J.L. Jacobs deal with the sense of place – contemporary Israel and the places of childhood and imagination.
Jehanne Dubrow uses form and substance for the poems of “The Arranged Marriage, ” while Sally Rosen Kindred uses the metaphor of flowers in Book of Asters.
The poetry of both Sheila Squillante and Jessica Goodfellow presents the familiar in completely new terms, clarifying or uncovering insights and ideas.