Jen Karetnick is a poet and author who has written (and co-authored) books about food, like a recipe book for mangoes, entitled to no surprise, Mango. Food is an important part of our lives, for more than the obvious reasons of sustenance and survival. Food is part of culture, for good and for ill.
In Brie Season: Poems, Karetnick has assembled some 60 poems which are ostensibly about food, but go deeper into the culture that frames what we call food and the human emotions that come into play. The poems are about tomatoes, mangoes, date palms, how to drink champagne alone, deviled eggs, bagels, hard-boiled eggs, oranges, cookies, mustard, asparagus, mushrooms, cocktails, cappuccino, and more. One poem is about cheese, or more precisely, it is a response to an observation G.K. Chesterton made about cheese (“Poets have been mysteriously silent on the subject of cheese”).
perhaps it’s because few are the poets
who would choose as a muse
a bloomy rind triple crème
coated with penicillium candidum
when great white herons miss the bay
and, with breeze-fuzzed feathers,
land instead to amuse toddlers by stalking
reef geckos not quite camouflaged
among the grasses growing like lies
on the sand-held bricks of driveways
where basketball nets hang – the tattered
tails of kites – or wax about calf rennet
when older boys wheel like hawks
on baseball diamonds and our daughters
run, more long-legged every day,
under phone wires lined with a dozen
observant ibis, or care about cheddaring
and cave aging when none of these
things are true, and the children we never
bore are regrets, difficult to census
yet kept warm in the nests
of plume-hunted, colonial egrets.
That poem provides the flavor of Brie Season—it begins speaking about a food and then becomes something else entirely.
Karetnick received an MFA in poetry from the University of California-Irvine and an MFA in fiction from the University of Miami. She is the author of three books of poetry, including the forthcoming American Sentencing, and four chapbooks: Prayer of Confession, Landscaping for Wildlife, Bud Break at Mango House, and Necessary Salt. She is a freelance writer, publishing in numerous food and general interest magazines, including two articles for The Atlantic: “Virtual Education: Genuine Benefits or Real-Time Demerits?” and “Behind the Scenes of Teenage Writing Competitions.” Additionally, she’s won numerous awards and honors for both her poetry and her writing on food.
And then there is the rock star Prince. I previously thought that the only celebrity who had merited a full collection of poetry was Kanye West, but I was wrong. A new chapbook by E. Kristin Anderson, Pray, Pray, Pray: Poems I Wrote to Prince in the Middle of the Night, includes some 11 longish poems about or addressed to the singer. (Full disclosure: the only song of Prince’s that I’m familiar with is Raspberry Beret, which for the longest time I thought was “Raspberry Toupe.”) (And note that the link is not to the original Prince version; it’s under copyright dispute and the audio track has been removed from the Prince recordings.)
Regardless of your familiarity with Prince, Anderson’s poems are accessible and, like Karentnick’s and food, about more than just the rock star.
Hiding is the only thing that matters this summer
It rains on the stereo
and in the parking lot. Tell me why my feet
will feel the ground when I wake up,
that standing in the sun will hollow out the saints
and the chill on my arms is a secret.
Do you remember quiet, the anonymous white
of blanket forts and midnight phone calls?
This is the one that stops me, that lays me out.
And if I close my eyes you’ll tell me—tell me
when to lift the shades and look.
Anderson is a graduate of Connecticut College with a B.A. degree in Classics. She worked at The New Yorker, and is currently a freelance editor and writing coach in Austin, Texas. She’s the author of six poetry chapbooks, including A Guide for the Practical Abductee, A Jab of Deep Urgency, and three to be published in 2016. She is also the co-editor of Dear Teen Me: Authors Write Letters to Their Teen Selves and The Summer of Unraveling, a Young Adult “memoir in verse” to be published in 2017. She blogs at Write All the Words.
Both collections are good examples of how poets use subjects in popular culture to write about emotion, people, relationships and growing up.
How to Read a Poem uses images like the mouse, the hive, the switch (from the Billy Collins poem)—to guide readers into new ways of understanding poems. Anthology included.
“I require all our incoming poetry students—in the MFA I direct—to buy and read this book.”
—Jeanetta Calhoun Mish
You Might Also Like
- Forgotten Classics: “Shakespeare of London” by Marchette Chute - June 30, 2020
- Poets and Poems: Major Jackson and “Holding Company” - June 23, 2020
- Poetry as a Way of Ordering Experience: “The Music of Time” by John Burnside - June 16, 2020