Poets and Poems: Scott Cairns’s “Idiot Psalms” demonstrates his skill as one of the most accomplished poets writing about the human heart today.
Poets and Poems: Robin Robertson’s “The Wrecking Light”
Poets and Poems: To read Robin Robertson’s “The Wrecking Light” is to walk in the poetry of identity, place, geography, mythology, geography — and more.
Poets and Poems: Amy Billone’s “The Light Changes”
Amy Billone’s “The Light Changes: Poems” begins with a young woman throwing herself in front of a train—not what you expect from poets and poems.
Poets and Poems: Grace Schulman’s “Without a Claim”
Grace Schulman’s new collection of poems “Without a Claim” creates quiet repose in the face of discontinuity. Can poets and poems make sense of this?
Poets and Poems: Dave Malone and “View from the North Ten”
Poets and Poems considers Dave Malone’s View from the North Ten, which uses a Rothko painting to evoke what exists in the land and heart of the Ozarks.
Poetry at Work: Clement Moore and the Work of St. Nicholas
Clement Moore’s “A Visit from St. Nicholas” shows us poetry at work during Christmas both then and now.
Poets and Poems: Scott Edward Anderson’s “Fallow Field”
Poets and Poems highlights Scott Edward Anderson’s poetry collection “Fallow Field, ” which is rooted in nature, waiting for the reader to apply some mental tillage.
Poets and Poems: Ted Hughes’ “Crow”
In Poets and Poems, we look at Ted Hughes’ “Crow, ” published in 1970, representing a significant shift for the poet and a milestone in 20th century poetry.
Poets and Poems: Christopher Reid’s “A Scattering”
Today, Poets and Poems highlights Christopher Reid’s “A Scattering, ” a remarkable series of poems that helped him deal with the death of his wife.
Poets and Poems: Andrew Motion’s “The Customs House”
Poets and Poems looks at “The Custom House” by Andrew Motion, which examines many facets of war and suggests a common impact on the people involved, regardless of location or era.
Poets and Poems: Roger McGough’s “As Far As I Know”
A Poets and Poems review of Roger McGough’s “As Far As I Know, ” a collection of poems published last year that includes both serious and fun poems.
Poets and Poems: Jean Sprackland’s “Sleeping Keys”
Jean Sprackland’s “Sleeping Keys” quietly underscores the importance of what lies unrecognized and forgotten—a thoughtful selection for Poets and Poems.
Poets and Poems: Billy Collins and “Aimless Love”
For Poets and Poems this week, we feature Poet Billy Collins’ new collection, Aimless Love–a welcome addition to his body of work.
Poets and Poems: Sam Willetts and “New Light for the Old Dark”
Poets and Poems highlights “New Light for the Old Dark” by Sam Willetts, which combines individual and family history for an effect both personal and universal.
Poets and Poems: 99 Psalms by SAID
Poets and Poems features the German poet SAID’s new collection of poetry, 99 Psalms, which is less about worship and more about our human condition.
Poets and Poems: Talking About Movies with Jesus
A review of David Kirby’s “Talking About Movies with Jesus: Poems” that uses the style of the poems as the structure of the review.
Poets and Poems: Seamus Heaney
Appreciating poets and poems even more by reading Seamus Heaney’s “Opened Ground” alongside Frank O’Driscoll’s “Stepping Stones, ” whose interviews add depth to the poems.
Poetry Review: Frank Bidart’s “Metaphysical Dog”
Frank Bidart’s latest poetry collection, Metaphysical Dog, should be read as one long poem rather than 39 individual poems.
Is Poetry Going to the Dogs?
What he did for cats, Francesco Marciuliano has now done for dogs: “I Could Chew on This, and Other Poems by Dogs.”
Now Look Who’s Writing Poetry: Cats
Cats write poems about family, work, play, and existence in I Could Pee on This by Francesco Marciuliano.