Collections by Sandee Mertz Umbach and Lori Lamothe demonstrate how poets shape their words and images to communicate what inspires them.
“Disinheritance” by John Sibley Williams is a beautiful, moving collection of poems dealing with grief, both real and imagined.
In “Dystopia 38.10,” poet Matthew Duggan takes the post-apocalyptic idea of dystopia and vividly applies it to contemporary society.
Reading poetry can lead to the discovery of other poets and their poetry, such as what happened when other poets led to Norman Nicholson and Frank Stanford.
“Wife,” winner of the Forward Prize for best first collection, challenges our notions of what marriage mean, but ends up reaffirming the idea of commitment.
Forward Prize winner Vahni Capildeo and her “Measures of Expatriation” challenge our notions of what a poetry collection is and can be.
Don Paterson is an important voice in British poetry and letters. He writes of both the light and the dark in life and in ourselves.
Frank Stanford (1948-1978) embodied William Wordsworth’s “The Child is father of the Man” in both his life and his poetry.
In “Hagar Poems,” poet Mohja Kahf tells and retells the biblical story of Hagar, Abraham, and Sarah, weaving threads between ancient and contemporary times.
“You Are Here” by Leon Stokesbury combines new poems and previously published poems to provide insight, emotion, and even humor.
New collections by poets Stephanie Rogers and Katie Manning are infused with a sense of loss, displacement, and a grittiness that fits their subjects.
In two new poetry collections, poet Jen Karetnick asks us to consider the reality behind what is often invisible, be it illness or climate change.
Songwriter Leonard Cohen is also a poet, and in “Songs and Poems,” he mixes song lyrics with poetry, suggesting there’s little difference.
A wrong shipment by Amazon turned into a discovery of poet John Holmes (1904-1962), who wrote his own poetry and encouraged other poets.
“Spoon River Anthology” is one of the great works of American literature, and reading it a third time yields new insights.
In “Mall Flower,” poet and writer Tina Barry combines poetry and short fiction to tell the story of a life – childhood, youth, and adulthood.
Canada’s 2016 Griffin Prize was awarded to Norman Dubie for “The Quotations of Bone” and Liz Howard for “Infinite Citizen of the Shaking Tent.”
Egyptian-American poet and writer Yahia Lababidi is in love with words. That sounds like a trite thing to say – shouldn’t most poets be in love with words?