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Poets and Poems: Arran James Grant and “Mania”

By Glynn Young 2 Comments

You’ve heard of coming-of-age novels. British poet Arran James Grant may have written a coming-of-age poetry collection.

As I was reading his recently published Mania, I kept thinking to myself that these are the poems of a young man. And they clearly are, with many of the 52 poems about love and relationships. But Mania is also a bit more than that. It’s a collection of poetry by a young man who knows he’s writing about the experiences of being a young man. The poems have a deliberateness, a self-consciousness that tells you they aren’t only poems about love but poems about looking back and understanding what’s happened.

Each poem is relatively short; each line is page-centered with the barest number of words. They’re infused with a sense of popular culture, especially film and music (two poems are named “Music,” in fact). And the poems communicate a sense of knowledge and loss and knowledge of loss. All of which means the poet is standing on the other side, looking back, taking stock, and making sense of what’s happened. This isn’t necessarily about lost love or loves; it can be about a realistic assessment of childhood dreams.

Signatures

We used to
practice our
signatures
on school paper
school work
school tables
just in case
we were
ever
asked
for our names
if our
Hollywood signatures
were ever needed
we would sign them
effortlessly
elegantly
like a Hollywood
prince.

Grant captures a common experience — the practice of signing one’s name, something that most if not all of us have done in our youth. We might have been dreaming of Hollywood, or another kind of fame and renown. Years later, we can remember what we did and smile.

The poems capture a sense of the strong emotions that run through our lives.

Arran James Grant

Mania is Grant’s first collection of poetry. A native of Scotland, Grant is a poet and writer; he’s currently working on a short story collection. He cites Charles Bukowski, Bret Easton Ellis, Stephen King, and Ernest Hemingway, among others, as influences (but I don’t find a sense of Stephen King anywhere in his poems). He lives in Aberdeen.

The poems of Mania aren’t nostalgic as much as they are an assessment of youth, the loves of youth, the relationships with old friends, and the music we listened to and can still cite the lyrics of. We have these thoughts whether we’re 30 or pushing 70, because we’re always trying to make sense of our lives.

Photo by Martyn Fletcher, Creative Commons, via Flickr. Post by Glynn Young.

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Glynn Young
Glynn Young
Editor and Twitter-Party-Cool-Poem-Weaver at Tweetspeak Poetry
Glynn Young lives in St. Louis where he retired as the team leader for Online Strategy & Communications for a Fortune 500 company. Glynn writes poetry, short stories and fiction, and he loves to bike. He is the author of the Civil War romance Brookhaven, as well as Poetry at Work and the Dancing Priest Series. Find Glynn at Faith, Fiction, Friends.
Glynn Young
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Filed Under: article, book reviews, Books, Britain, poetry, poetry reviews, Poets

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Comments

  1. Bethany R. says

    November 24, 2020 at 5:26 pm

    “[…] the music we listened to and can still cite the lyrics of. We have these thoughts whether we’re 30 or pushing 70, because we’re always trying to make sense of our lives.” Feels like a poetry prompt, Glynn. Thank you for writing this post.

    Reply
    • Glynn says

      November 24, 2020 at 10:33 pm

      It does read like a poetry prompt! Thanks for the comment, Bethany!

      Reply

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