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The 2019 Pulitzer Prize for Poetry: “Be With” by Forrest Gander

By Glynn Young 1 Comment

Waking Up Forrest Gander

The 2019 Pulitzer Prize for Poetry was awarded to the collection Be With by Forrest Gander. It’s one of the most unusual collections of poetry I’ve ever encountered; I’ve read it three times now and each time it seems a different book.

Be With is a collection of different kinds and forms of poetry. It is less a collection of poems than it is meditations upon the personal and the intimate, even when it talks about things that’s aren’t personal or intimate. It is a collection of poetry that is about the beauty of language, and how beauty and language can be used to describe and evoke profoundly deep feelings.

The collection officially contains 18 poems. Many of those poems are themselves collections of poems that could easily stand on their own. But grouped together, they become poems telling stories — of caring for an aging mother, of chasing personal demons, of a love relationship, of a border crossing (mostly illegal), and of interpreting a series of black-and-white photographs.

And then I wonder if Be With is a fourth book — a kind of beauty-studded guidebook.

Come with Gander to Tuscany, as he considers the Madonna del Parto. Fairly common in 14th century Italy (there’s even a museum that focuses on it), a Madonna del Parto is a depiction of the pregnant Virgin Mary. Painted by many artists, this portrayal of Mary was associated with prayers for safe delivery of a child. Knowing that, consider what Gander does with it.

Madonna Del Parto

Be With Forrest GanderAnd then smelling it,
feeling it before
the sound even reaches
him, he kneels at
cliff’s edge and for the
first time, turns his
head toward the now
visible falls that
gush over a quarter
mile of uplifted sheet-
granite across the valley
and he pauses,
lowering his eyes
for a moment, unable
to withstand the
tranquility—vast, unencumbered,
terrifying, and primal. That
naked river
enthroned upon
the massif altar,
bowed cypresses
congregating on both
sides of sun-gleaming rock, a rip
in the fabric of the ongoing
forest from which rises—
as he tries to stand, tottering, half-
paralyzed—a shifting
rainbow volatilized by
ceaseless explosion.

Forrest Gander

Forrest Gander

Holding degrees in geology and English literature, Gander is the A.K. Seaver Professor of Literary Arts and Comparative Literature at Brown University. He’s received grants from the National Endowment for the Arts, the Guggenheim Foundation, the Howard Foundation, the Witter Bynner Foundation, and the Whiting Foundation. He’s written numerous collections of poetry, translations (including Then Come Back: The Lost Neruda Poems), essays, and fiction, including two novels, As a Friend (2008) and The Trace (2015). Gander was a finalist for the Pulitzer Prize for Poetry in 2012 for his collection Core Samples from the World and has previously been longlisted for the National Book Award.

Be With is a quietly stunning work, with something to stimulate reflection and introspection on every page and in every poem. These poems are written with a full understanding of how language can be used to plumb our interior depths. It’s as inspirational as it is unsettling.

Related:

Forrest Gander reads his poem “Madonna Del Parto”

Photo by Gabriel Rojas Hruska, Creative Commons, via Flickr. Post by Glynn Young. 

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—Jeanetta Calhoun Mish

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Glynn Young
Editor and Twitter-Party-Cool-Poem-Weaver at Tweetspeak Poetry
Glynn Young lives in St. Louis where he recently retired as the team leader for Online Strategy & Communications for a Fortune 500 company. Glynn writes poetry, short stories and fiction, and he loves to bike. He is the author of Poetry at Work and the Dancing Priest Series. Find Glynn at Faith, Fiction, Friends.
Glynn Young
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Filed Under: article, book reviews, Books, Poems, poetry, poetry reviews, Poets, Pulitzer Prize

Comments

  1. Bethany R. says

    May 23, 2019 at 6:58 pm

    Sounds fascinating, thanks for this post. Some years back, Forrest Gander wrote the first sonnet I claimed as a favorite. It was called, “Voiced Stops.” It’d be interesting to read this new collection as well.

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