“Gifts Without Wrapping,” a chapbook of poems by Michał Choiński, describes love and desire in the 21st century.
In “Desert Songs,” poet Yahia Lababidi takes us on a pilgrimage to discover what we don’t know and to lose ourselves.
Poet Sara Eddy has published two chapbooks — “Tell the Bees” and “Full Mouth” — about bees, food, and life.
In “All That Will Be New,” poet Paul Mariani speaks to the end of things, and he speaks of where he finds hope.
“This Alaska,” by poet Carlie Hoffman, is composed of poems that show a life considered, measured, and not found wanting.
“The Coming-Down Time” by poet Robert Selby tells stories in danger of being forgotten, stories of family, friends, and the past.
“Lilac White,” a new collection of poems by Martin Hesford, evokes the idea of Impressionist paintings and the poet’s cinematic background.
In “Native: Poems,” Jesse LoVasco tells a story of Native Americans then and now, and the story resonates with all of us.
With careful precision, poet Andrea Potos writes of places and relationships in her new collection, “Marrow of Summer.”
“Tornado Drill” by poet Dave Malone is poetry grounded in the Missouri Ozarks but recognizable, no matter where you live.
“Rainbow Crow” by Megan Willome and illustrated by Hasani Browne tells crow stories in poetry for young readers.
In “Wading through Lethe,” poet Paulette Guerin uses memory to recognize the important and consequential in a life.
Written with care and precision, “Drinking Guinness with the Dead” by Justin Hamm represents 14 years of the poet’s work and life. (Includes an amusing discussion of poetry collection nomenclature!)
The 22 paired poems and photographs of “Transit” by Kelly Belmonte and Tom Darin Liskey collectively move the heart and stir the soul.
“The Joseph Tree” by Isabel Chenot is filled with poems about natural beauty — and the hope and gratitude that beauty inspires.
In “The Book of Celtic Verse,” John Matthews has collected a diverse group of poems covering 2,000 years of Celtic history.
“Come Looking” by River Dixon and “We Grow in Groves” by Thomas Colquith explore regret, loss, and life in different poetic ways.
The poems of “Iona” by Kenneth Steven take us to a Scottish island of both history and remembered childhood.
“Threnody” by poet Donna Hilbert reminds us that lament is inspired by grief, which is in turn inspired by deep love.
In “Places the Soul Goes,” poet Daniel Leach takes us on a journey of discovery that transcends time and space.