Editing the tweets into poems is work — but it’s fun work.
The Heart Aroused: Strategy and Soul
There’s an equal place in the psyche for both strategy and soul.
Fields of Red 4
A (very) short primer on editing tweets from our Twitter poetry parties
Journey into Poetry: Laura Boggess
I was afraid of poetry. And so, I avoided it.
Angels: Wisp in Wyoming
Angels are surprising. Alarming. Unsettling. Captivating.
The Heart Aroused: Embracing Fire
How can you give oxygen to the fire of your creative soul in business?
Journey into Poetry: David Rupert
I now realize that poetry isn’t a tool to impress. It’s a way to reflect the soul.
Twitter Poetry: Fields of Red 2
Here are the next six poems from our recent Twitter poetry party.
Twitter Poetry: Fields of Red
Here are the first four Twitter poetry party poems, from a collection we’re calling “Fields of Red.”
The Writing Life: How to Be a Famous Author
The writing life should be simpler than this, right? No, it’s not easy, and it never will be. Because we want to be famous. And that’s good, and not.
Red Whistles at the Wolf
We’ve been celebrating the color red here this month at Tweetspeak, so red has been a bit on my mind.
The Poet’s Life
A hilarious look at what poets really do.
Poet, Where Did You Get that Red?
What is red? Red is Miracle, talisman and charm.
Journey Into Poetry: Will Willingham
Here at T. S. Poetry, nothing could make us happier than when a person discovers poems.
Lace Under the Stars
It was another Twitter poetry party, and the poetic lines just glistened.
Coming Home to Red
I was talking about words like a painter might talk about primary colors.
A Sonnet’s Unlikely Resolution: John Milton On His Blindness
One of the greatest poets who ever lived worries that his poetry is not good enough.
Alan Shapiro’s “Night of the Republic”
Poet Alan Shapiro loads his minds-eye camera with film (or, these days, a disk)
Tania Runyan’s “A Thousand Vessels”
A poetry review of A Thousand Vessels.
Dave Malone’s “Under the Sycamore”
Quick: name a contemporary love poem.