Tweetspeak Poetry

  • Home
  • FREE prompts
  • Earth Song
  • Every Day Poems—Subscribe! ✨
  • Teaching Tools
  • Books, Etc.
  • Patron Love

Poet-a-Day: Meet Celia Lisset Alvarez

By Tania Runyan 8 Comments

Florida Palm Trees

Poet-a-Day: Meet Celia Lisset Alvarez

I ran across Celia Lisset Alvarez’s “Lizards” while reading the wonderful anthology Obsession: Sestinas in the Twenty-First Century. Right away, I knew I needed to highlight this poem in How to Write a Form Poem, as a masterful sestina—and was thrilled to get Alvarez’s permission to reprint. It’s become one of my favorite poems in the book!

Since contacting Alvarez about her poem, I’ve enjoyed getting to know her as a spirited and generous poet. Here are the first two stanzas of “Lizards.” If you want to read the rest (and you will), check it out in How to Write a Form Poem!

How to Write a Form Poem-A Guided Tour of 10 Fabulous Forms-poetry writing book

Lizards (excerpt)

They’re perfect killing machines,
you said to me, dead serious, scheming
something about their silent universe,
the constant shock of their existence.
Despite living your whole life in Florida,
you thought your house impermeable.

In a shoe or on a towel, in your impermeable
mind, they broke up the model-home machine
in which you lived. If you’re going to live in Florida
was not something you wanted to hear, scheming
how to stop the arrogant intruders from existing,
how to cast out their soft souls from your universe…

—Celia Lisset Alvarez

Here’s what the poet has to say, quite vividly, about her creepy crawly poem…

Tania Runyan (TR): Tell me a little about the origin story of “Lizards”:

Celia Lisset Alvarez (CLA): First of all, you must understand that I am really TERRIFIED of lizards. It is a phobia. Every emotion expressed in this poem about their wily threat is 100% real. I’ve never lived outside of Florida, so I don’t know how they organize in other areas, but here they’re big as chihuahuas and there’re 100 lizards for every human. I have a palm tree in my backyard I call the Falling Lizard tree because they literally pour like a constant fountain from top to bottom and then scuttle away. If you’re on a sidewalk by a hedge, dozens cross in front of you, just because they can.

My husband is the voice of reason in the poem, as he is in real life. He traps them like a cat in his hand and releases them back outside when they get into the house. I don’t like to kill them. They are so huge it seems like murder. So the first poem was basically about that—me searching everywhere for lizards, suspicious of every shoe and curtain. It was free verse. But it lacked…something. Some raison d’etre. I love sestinas, so I decided to try transforming it into one. It was a completely arbitrary choice. As I developed the sestina, however, a political metaphor sneaked in, and that is what made the poem finally click.

TR: Why did you decide to write the poem as a sestina? Or did the form “cause” the poem to happen?

CLA: As I said before, the choice of a sestina was arbitrary, just because it is my favorite form. There was nothing in the original free verse version of the poem that suggested a sestina, except maybe the repetitiveness of the task. Looking for lizards is a daily chore, like washing the dishes or vacuuming the carpet. What was completely absent from the free verse version that the sestina brought out was the political metaphor of trying to control that which is uncontrollable.

My parents were part of the Golden Generation that emigrated from Cuba just after the communist revolution, so they arrived in Miami with high hopes of gaining freedom and one day returning to Cuba. They’ve mostly died out, that generation, and they did not live to return. What was once a temporary stay became permanent, unable to fight the endless power of the Castro regime that outlived most of them.

TR: What do you hope poets can learn from a book like How to Write a Form Poem?

CLA: I do hope that new generations of poets will not allow formal poetry to die out. It became associated with convention, restriction, and out-of-style stiffness. Many young poets today (some of whom I’ve taught) have no idea of any forms apart from the sonnet and haiku, which they learned in high school as part of a history lesson. It is a surprise to them sometimes that living poets write and publish in form. And that is a pity, because the poets writing in form today are really doing some interesting things, stretching and changing them, pushing the language in ways that you can’t in free verse.

The sestina in particular is truly remarkable because it relies on repetition rather than rhyme for cohesion. It is very challenging to write one that doesn’t read like some weird chant. The line has to be just long enough to let the ear hear an echo rather than a drum. You learn by writing in form. I once read somewhere I don’t remember that Sylvia Plath used to write villanelles as exercise. The sestina forces you to really break those six words open in ways you would not otherwise. To continue with the exercise metaphor, a sestina is like stretching. Pilates for the pen.

About Celia Lisset Alvarez

Celia Lisset Alvarez poet photo
Celia Lisset Alvarez has been a pauper, a poet, a professor, a teacher, a mom, and now is the editor of the journal Prospectus: A Literary Offering. She has an MFA from the University of Miami in creative writing and two collections of poetry, the award-winning Shapeshifting (Spire 2006) and The Stones (Finishing Line 2006). Her upcoming collection from Finishing Line Press, Multiverses, is a memoir in verse that explores the grief and trauma of having lost her son in 2018.

Hear Celia Read “Lizards”

go to 14:21 to hear Celia read

Photo by R9 Studios, Creative Commons, via Flickr. Post by Tania Runyan.

Browse more Poet-a-Day
Browse 50 States of Generosity
Check out The Yellow Wall-paper Graphic Novel

 
How to Write a Form Poem-A Guided Tour of 10 Fabulous Forms-poetry writing book

BUY ‘HOW TO WRITE A FORM POEM’ NOW!

5 star

  • Author
  • Recent Posts
Tania Runyan
Tania Runyan
Tania Runyan lives in Lindenhurst, Illinois, a sort-of suburb, sort-of small town, where the deer and the minivans play. She's a 2011 NEA fellow and mama to four poetry books—A Thousand Vessels, Simple Weight, Delicious Air, and What Will Soon Take Place—and three (much cuter and noisier) human children. Tania is also the author of five non-fiction books—Making Peace with Paradise, How To Read a Poem, How to Write a Poem, How to Write a Form Poem, and How to Write a College Application Essay. Visit her at TaniaRunyan.com
Tania Runyan
Latest posts by Tania Runyan (see all)
  • Flowers of California: California Poppy - December 8, 2022
  • Flowers of California: Lily of the Nile - October 13, 2022
  • Flowers of California: Crape Myrtle - October 5, 2022

Filed Under: Blog, How to Write a Form Poem, Poet-a-Day, poetry teaching resources, Poets, Political Poems, Sestina, writer's group resources

Try Every Day Poems...

About Tania Runyan

Tania Runyan lives in Lindenhurst, Illinois, a sort-of suburb, sort-of small town, where the deer and the minivans play. She's a 2011 NEA fellow and mama to four poetry books—A Thousand Vessels, Simple Weight, Delicious Air, and What Will Soon Take Place—and three (much cuter and noisier) human children. Tania is also the author of five non-fiction books—Making Peace with Paradise, How To Read a Poem, How to Write a Poem, How to Write a Form Poem, and How to Write a College Application Essay. Visit her at TaniaRunyan.com

Comments

  1. Laurie Klein says

    April 1, 2021 at 4:23 pm

    “The line has to be just long enough to let the ear hear an echo rather than a drum.” Love the way C.L.A. words this.

    And this: “The sestina forces you to really break those six words open in ways you would not otherwise.”

    Tania, thanks for bringing us news of this vivid conversation as well as the sestina teaser.

    On the prowl now for six pliant, promising words . . .

    Reply
    • L.L. Barkat says

      April 1, 2021 at 4:48 pm

      I’m thinking “pliant” and “promising” might work. “Prowl,” too? (That final choice would make for an unsettling sestina, I suspect.)

      I hadn’t noticed the idea of the echo rather than a drum! What a great thing to say. It could probably be applied to more than just the sestina, too. (I was feeling drummy when reading some sonnets the other day that just felt like they weren’t what they could be. Now I’m pondering what contributes to echo…)

      Reply
      • Celia Alvarez says

        April 1, 2021 at 5:16 pm

        Thank you for your comments! Try writing one in a long meter, like an alexandrine. Good luck!

        Reply
      • Tania Runyan says

        April 1, 2021 at 7:27 pm

        Oh. . .a sestina in which all the end words start with the same letter!

        Reply
        • L.L. Barkat says

          April 2, 2021 at 8:32 am

          An alliterative lizard of a sestina. 😉

          (I wonder if it would end up being funny or maudlin? Might depend on the chosen alliteration.)

          Reply
  2. Celia Alvarez says

    April 1, 2021 at 5:13 pm

    Thank you, Tania, for this wonderful post. I’m so excited to get the book I could pet a lizard!

    Reply
    • Tania Runyan says

      April 1, 2021 at 7:26 pm

      Oh, please do! Or you can come visit and hang out with my son’s pet gecko, Max. 🙂

      Reply
  3. Bethany Rohde says

    April 3, 2021 at 11:33 pm

    “Poets writing in form today are really doing some interesting things, stretching and changing them, pushing the language in ways that you can’t in free verse.”

    Fascinating post. Thanks for this.

    Reply

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Take How to Read a Poem

Get the Introduction, the Billy Collins poem, and Chapter 1

get the sample now

Welcome to Tweetspeak

New to Tweetspeak Poetry? Start here, in The Mischief Café. You're a regular? Check out our May Menu

Patron Love

❤️

Welcome a little patron love, when you help keep the world poetic.

The Graphic Novel

"Stunning, heartbreaking, and relevant illustrations"

Callie Feyen, teacher

read a summary of The Yellow Wallpaper

meet The Yellow Wallpaper characters

How to Write Poetry

Your Comments

  • Glynn on World War II Had Its Poets, Too
  • Sandra Fox Murphy on World War II Had Its Poets, Too
  • Glynn on Poets and Poems: Kelly Belmonte and “The Mother of All Words”
  • Bethany R. on Poets and Poems: Kelly Belmonte and “The Mother of All Words”

Featured In

We're happy to have been featured in...

The Huffington Post

The Paris Review

The New York Observer

Tumblr Book News

Stay in Touch With Us

Categories

Learn to Write Form Poems

How to Write an Acrostic

How to Write a Ballad

How to Write a Catalog Poem

How to Write a Ghazal

How to Write a Haiku

How to Write an Ode

How to Write a Pantoum

How to Write a Rondeau

How to Write a Sestina

How to Write a Sonnet

How to Write a Villanelle

5 FREE POETRY PROMPTS

Get 5 FREE inbox poetry prompts from the popular book How to Write a Poem

Shakespeare Resources

Poetry Classroom: Sonnet 18

Common Core Picture Poems: Sonnet 73

Sonnet 104 Annotated

Sonnet 116 Annotated

Character Analysis: Romeo and Juliet

Character Analysis: Was Hamlet Sane or Insane?

Why Does Hamlet Wait to Kill the King?

10 Fun Shakespeare Resources

About Shakespeare: Poet and Playwright

Top 10 Shakespeare Sonnets

See all 154 Shakespeare sonnets in our Shakespeare Library!

Explore Work From Black Poets

About Us

  • • A Blessing for Writers
  • • Our Story
  • • Meet Our Team
  • • Literary Citizenship
  • • Poet Laura
  • • Poetry for Life: The 5 Vital Approaches
  • • T. S. Poetry Press – All Books
  • • Contact Us

Write With Us

  • • 5 FREE Poetry Prompts-Inbox Delivery
  • • 30 Days to Richer Writing Workshop
  • • Poetry Prompts
  • • Submissions
  • • The Write to Poetry

Read With Us

  • • All Our Books
  • • Book Club
  • • Every Day Poems—Subscribe! ✨
  • • Literacy Extras
  • • Poems to Listen By: Audio Series
  • • Poet-a-Day
  • • Poets and Poems
  • • 50 States Projects
  • • Charlotte Perkins Gilman Poems Library
  • • Edgar Allan Poe Poems Arts & Experience Library
  • • William Blake Poems Arts & Experience Library
  • • William Shakespeare Sonnet Library

Celebrate With Us

  • • Poem on Your Pillow Day
  • • Poetic Earth Month
  • • Poet in a Cupcake Day
  • • Poetry at Work Day
  • • Random Acts of Poetry Day
  • • Take Your Poet to School Week
  • • Take Your Poet to Work Day

Gift Ideas

  • • Every Day Poems
  • • Our Shop
  • • Everybody Loves a Book!

Connect

  • • Donate
  • • Blog Buttons
  • • By Heart
  • • Shop for Tweetspeak Fun Stuff

Copyright © 2025 Tweetspeak Poetry · FAQ, Disclosure & Privacy Policy