Jack Gilbert (1925 – ) published his first book of poems, Views of Jeopardy, in 1962, and his second, Monolithos, nearly 20 years later. In between he moved to Europe, traveled as a lecturer on American literature for the U.S. State Department. He’s also the author of three other books of poetry: Transgressions: Selected Poems, The Great Fires: Poems 1982-1992, and Refusing Heaven, which won the National Book Critics Circle Award. He’s also received numerous other prizes and grants, and has been nominated twice for the Pulitzer Prize in poetry. (We reviewed The Great Fires here at TweetSpeak last November.)
Author and poet James Dickey said this about Gilbert’s work: “He takes himself away to a place more inward than is safe to go; from that awful silence and tightening, he returns to us poems of savage compassion.”
For National Poetry Month, here are three by Jack Gilbert.
The Great Fires
Love is apart from all things.
Desire and excitement are nothing beside it.
It is not the body that finds love.
What leads us there is the body.
What is not love provokes it.
What is not love quenches it.
Love lays hold of everything we know.
The passions which are called love
also change everything to a newness
at first. Passion is clearly the path
but does not bring us to love.
It opens the castle of our spirit
so that we might find the love which is
a mystery hidden there.
Love is one of many great fires.
Passion is a fire made of many woods,
each of which gives off its special odor
so we can know the many kinds
that are not love. Passion is the paper
and twigs that kindle the flames
but cannot sustain them. Desire perishes
because it tries to be love.
Love is eaten away by appetite.
Love does not last, but it is different
from the passions that do not last.
Love lasts by not lasting.
Isaiah said each man walks in his own fire
for his sins. Love allows us to walk
in the sweet music of our particular heart.
The Abnormal Is Not Courage
The Poles rode out from Warsaw against the German
Tanks on horses. Rode knowing, in sunlight, with sabers,
A magnitude of beauty that allows me no peace.
And yet this poem would lessen that day. Question
The bravery. Say it’s not courage. Call it a passion.
Would say courage isn’t that. Not at its best.
It was impossib1e, and with form. They rode in sunlight,
Were mangled. But I say courage is not the abnormal.
Not the marvelous act. Not Macbeth with fine speeches.
The worthless can manage in public, or for the moment.
It is too near the whore’s heart: the bounty of impulse,
And the failure to sustain even small kindness.
Not the marvelous act, but the evident conclusion of being.
Not strangeness, but a leap forward of the same quality.
Accomplishment. The even loyalty. But fresh.
Not the Prodigal Son, nor Faustus. But Penelope.
The thing steady and clear. Then the crescendo.
The real form. The culmination. And the exceeding.
Not the surprise. The amazed understanding. The marriage,
Not the month’s rapture. Not the exception. The beauty
That is of many days. Steady and clear.
It is the normal excellence, of long accomplishment.
In Dispraise of Poetry
When the King of Siam disliked a courtier,
he gave him a beautiful white elephant.
The miracle beast deserved such ritual
that to care for him properly meant ruin.
Yet to care for him improperly was worse.
It appears the gift could not be refused.
Audio: Jack Gilbert reads his “Big and Small: Midnight to Four A.M.”
Postings and News Updates:
Monday’s Poem A Day from the Academy of American Poets was “The Widows of Gravesend” by L.S. Asekoff, from The Gate of Horn published by Northwestern University Press.
You Might Also Like
Latest posts by Glynn Young (see all)
- “The Heart’s Necessities”: A Death, a Song, a Poem, and a Book - August 20, 2019
- A Resource for Fiction Writers and Poets: “The Art of the Essay” — What? - August 13, 2019
- “The Art of the Essay” by Charity Singleton Craig - August 6, 2019