Mona Van Duyn (1921-2004) received numerous prizes, accolades and recognitions, including becoming the first woman to be named U.S. poet laureate (1992-1993). Her book of poems Near Changes (1990) received the Pulitzer Prize for poetry.
Van Duyn once said, “I believe that good poetry can be as ornate as a cathedral or as bare as a pottingshed, as long as it confronts the self with honesty and fullness. Nobody is born with the capacity to perform this act of confrontation, in poetry or anywhere else; one’s writing career is simply a continuing effort to increase one’s skill at it.”
For National Poetry Month, three by Mona Van Duyn:
Earth Tremors Felt in Missouri
The quake last night was nothing personal,
you told me this morning. I think one always wonders,
unless, of course, something is visible: tremors
that take us, private and willy-nilly, are usual.
But the earth said last night that what I feel,
you feel; what secretly moves you, moves me.
One small, sensuous catastrophe
makes inklings letters, spelled in a worldly tremble.
The earth, with others on it, turns in its course
as we turn toward each other, less than ourselves, gross,
mindless, more than we were. Pebbles, we swell
to planets, nearing the universal roll,
in our conceit even comprehending the sun,
whose bright ordeal leaves cool men woebegone.
from Endings
Setting the V.C.R. when we go to bed
to record a night owl movie, some charmer we missed
we always allow, for unprogrammed unforeseen,
an extra half hour. (Night gods of the small screen
are ruthless with watchers trapped in their piety.)
We watch next evening, and having slowly found
the start of the film, meet the minors and leads,
enter their time and place, their wills and needs,
hear in our chests the click of empathy’s padlock,
watch the forces gather, unyielding world
against the unyielding heart, one longing’s minefield
laid for another longing, which may yield.
Tears will salt the left-over salad I seize
during ads, or laughter slow my hurry to pee.
But as clot melts toward clearness a black fate
may fall on the screen; the movie started too late.
Torn from the backward-shining of an end
that lights up the meaning of the whole work,
disabled in mind and feeling, I flail and shout,
“I can’t bear it! I have to see how it comes out!”
For what is story if not relief from the pain
of the inconclusive, from dread of the meaningless?
Minds in their silent blast-offs search through space–
how often I’ve followed yours!–for a resting-place.
And I’ll follow, past each universe in its spangled
ballgown who waits for the slow-dance of life to start,
past vacancies of darkness who vainglory
is endless as death’s, to find the end of the story.
Letters from a Father
Ulcerated tooth keeps me awake, there is
such pain, would have to go to the hospital to have
it pulled or would bleed to death from the blood thinners,
but can’t leave Mother, she falls and forgets her salve
and her tranquilizers, her ankles swell so and her bowels
are so bad, she almost had a stoppage and sometimes
what she passes is green as grass.There are big holes
in my thigh where my leg brace buckles the size of dimes.
My head pounds from the high pressure.It is awful
not to be able to get out, and I fell in the bathroom
and the girl could hardly get me up at all.
Sure thought my back was broken, it will be next time.
Prostate is bad and heart has given out,
feel bloated after supper. Have made my peace
because am just plain done for and have no doubt
that the Lord will come any day with my release.
You say you enjoy your feeder, I don’t see why
you want to spend good money on grain for birds
and you say you have a hundred sparrows, I’d buy
poison and get rid of their diseases and turds.
News Updates and Postings:
Even the canine corps is getting into National Poetry Month. “Firty Goodness, ” a poem from Elvis, who belongs to Lorrie at Grow Up Deep.
Yesterday’s Poem A Day from the Academy of American Poets: “The Apple Trees at Olema” by Robert Hass, taken from his The Apple Trees At Olema: New and Selected Poems.
Poets.org has launched a poem flow app for iPhones.
If you see any poems you like, or if you have written any you’d like us to link to, drop the link in the comment section and we’ll feature it the next day.
- Poets and Poems: Jules Jacob & Sonja Johanson and “Rappaccini’s Garden: Poisonous Poetry” - October 8, 2024
- Poets and Poems: Ellen Kombiyil and “Love as Invasive Species” - October 1, 2024
- Poets and Poems: Emily Patterson and “Haiku at 5:38 a.m.” - September 24, 2024
Maureen Doallas says
Van Duyn has such honesty, such willingness to confront the private acts. I particularly like the first featured poem, because of how it speaks to the universal.
n davis rosback says
mona is a very earthy gal.
Lorrie says
I am really enjoying your poetry showcase and all the neat resources you’re hooking us up with.
Elvis said to tell you thanks for the mention. He thinks he’s a big dog now 🙂