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The Writing Life: Paterson’s Blank Page

By Charity Singleton Craig 18 Comments

The Writing Life view from bus
“Are you a poet?” a Japanese tourist asks the young man named Paterson near the end of the film by the same name.

“No, I’m not a poet,” Paterson responds, though we’ve just spent two hours watching him scratch words into a notebook before work and on the weekends. “I’m a bus driver, just a bus driver.”

“In Paterson, New Jersey,” says the stranger, who himself is a poet. He smiles. “It’s very poetic.”

The entire movie is infused with poetry, in fact, beginning with the city of Paterson, which also is the setting of William Carlos Williams’ multi-volume, epic poem “Paterson.” Because the main character drives a bus, we see glimpses of the city as we ride along with on his route. We also hear conversations of the riders who sit behind Paterson, and we feel the chill in the air as Paterson closes his jacket tight around himself on his walk to the bus garage to begin his shift.

All of these sensory details, even the match box he rotates in his hand each morning as he eats his bowl of Cheerios, find their way into the poems Paterson writes by hand in the small notebook he carries around with him. He writes sitting in the driver’s seat as the bus warms up in the mornings or on breaks in the middle of the day; he also writes in his dingy basement office in the evenings and on weekends. As Paterson, played by Adam Driver, scribbles away, viewers see the words on the screen and hear the voiceover of the words in the poet’s head. The poetry itself becomes a character.

Yet throughout the movie, Paterson doesn’t play the typical role of poet. He spends most of his time working. He doesn’t talk about his poetry with his coworkers or the guys at the bar where he stops off for a beer or two each night while he walks his dog, Marvin. He doesn’t even talk much about his poetry with his wife, Laura, though she is passionately supportive and always encourages him to share his poetry or at least make copies, just in case.

“You should do something about those poems,” she tells him, “they should belong to the world.”

In fact, compared to Laura, who is a painter, baker, and aspiring country singer, Paterson seems completely dispassionate about his own life and art, content to keep his thoughts private in his secret notebook. (“They’re just words, written on water,” he says at one point.) Yet throughout the movie, which chronicles a week in Paterson’s life where each day is almost identical to the one before, we begin to see a different kind of poetic passion emerge: persistence.

Paterson just keeps writing.

He also keeps listening and watching, too. When Paterson sees a young girl sitting alone in a sketchy part of town, he sits with her until her mother returns. As they talk, they discover their mutual love of poetry. “Awesome, a bus driver that likes Emily Dickinson,” the girl says. She reads him one of her poems, called “Water Falls,” — “two words, though,” she clarifies, which is ironic since the city of Paterson features the iconic Passaic Falls, shown throughout the movie. Paterson likes the poem and can’t get the words out of his head, reciting them to his wife and to himself throughout the next several scenes. In another instance, Paterson hears a man writing a rap song in the laundromat, and he stands outside to soak in the rhythm of the washing machine and to hear the words the man’s writing. “Your laboratory?” Paterson asks, when Marvin moves into the doorway, revealing that Paterson has been standing outside listening. “Wherever it hits me is where it’s gonna be,” the man replies.

The movie, like its main character, is slow, methodical, lyrical. Themes gradually emerge — twins, dreams, love, water — and at one point, a small incident seems like it might unravel the whole structure of Paterson’s life. But that’s when he meets the tourist, the one who asks him if he’s a poet. And in the course of the conversation, the man says something that encourages Paterson but also seems to bring the whole film together: “Sometimes empty page presents most possibilities.”

If anything, this is what Paterson is about: not so much the pursuit of dreams but the discovery of beauty right in front of you. The routine, quiet, and boredom of doing the same thing in the same place day after day after day actually form a canvas on which to create something new and interesting.

For years, I’ve been thinking and reading about the writing life. When I hear famous authors speak at conferences, someone always asks about the rituals of their daily writing. Somewhere, somehow, we all believe we’ll uncover the secret to writing success. But all these answers — hidden in books, revealed in speeches, and often portrayed in movies about writers and artists — seem far removed from the unremarkable circumstances of my everyday life. Until Paterson, where we finally see an example of a regular writing life, the one where life keeps on happening, but poetry isn’t just relegated to the edges. Instead, Paterson shows us that our lives themselves are filled with the poetry we seek. All we need to do is pay attention. And write.

Featured image by Julien Belli, Creative Commons license via Flickr. Quilt photos and post by by Charity Singleton Craig, co-author of On Being a Writer: 12 Simple Habits for a Writing Life that Lasts

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Charity Singleton Craig
Charity Singleton Craig
Charity Singleton Craig is the author of The Art of the Essay: From Ordinary Life to Extraordinary Wordsand co-author of the popular title On Being a Writer: 12 Simple Habits for a Writing Life That Lasts. She has served as an editor, contributing writer, and workshop leader for Tweetspeak Poetry and currently writes for corporate clients and publications such as Edible Indy. She is also a two-time recipient of the Arts in the Parks and Historic Sites Grant from the Indiana Arts Commission and the Indiana Department of Natural Resources, to write about the state parks and present writing programs to park visitors.
Charity Singleton Craig
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Filed Under: Blog, poetry, Writing Life

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About Charity Singleton Craig

Charity Singleton Craig is the author of The Art of the Essay: From Ordinary Life to Extraordinary Words and co-author of the popular title On Being a Writer: 12 Simple Habits for a Writing Life That Lasts. She has served as an editor, contributing writer, and workshop leader for Tweetspeak Poetry and currently writes for corporate clients and publications such as Edible Indy. She is also a two-time recipient of the Arts in the Parks and Historic Sites Grant from the Indiana Arts Commission and the Indiana Department of Natural Resources, to write about the state parks and present writing programs to park visitors.

Comments

  1. Ann Kroeker says

    February 16, 2017 at 10:00 am

    Your post inspired me to watch a trailer for the film. Paterson’s going on the “to watch” list. Thanks for letting us know about it, Charity!

    Reply
    • Charity Craig says

      February 16, 2017 at 3:06 pm

      It’s one I’d really like to watch again. I think I missed a lot because I was expecting something different than what actually happened. I don’t want to spoil anything, so I’ll leave it at that. But please do let me know when you’ve watched it. I’d love to talk more about it!

      Reply
  2. Laura Lynn Brown says

    February 16, 2017 at 2:55 pm

    I saw this in a matinee with maybe seven others viewers, and it felt a little like we were passengers on a bus.

    This is a wonderful movie. Even the community at the corner bar. Props to you for not giving away the details of small but pivotal incidents.

    Thanks for your report on the movie and your encouragement to keep writing.

    Reply
    • Charity Craig says

      February 16, 2017 at 3:05 pm

      Laura – That’s a great observation … the audience was like a group of passengers. I felt that way too, I think.

      It was a touching movie in all the ways that so many movies aren’t. I’ve held back considerably in how I’d LIKE to talk about it because I don’t want to spoil anything. Even the spoiling would be small and understated though, kind of like the main character.

      I saw myself in both Paterson and Laura, and that was also very eye-opening to me.

      I’m glad you saw it and liked it. It’s a different sort of movie to like, but I did like it so much.

      Reply
  3. Sandra Heska King says

    February 16, 2017 at 4:29 pm

    Thank you for this, Charity. I just watched the trailer.

    I don’t think I even heard of this movie. And it’s playing one last gig at 5 p.m. just a couple miles away. I don’t think I can get there. And if I could, it’d be the first time I ever went to a movie alone. It’s going on my watch list for sure.

    We lived in Flemington and Somervile, NJ–just 45 minutes to an hour from Paterson.

    Reply
    • Charity Singleton Craig says

      February 16, 2017 at 4:58 pm

      Yes, I wish I would have seen it earlier and gotten this essay up closer to when it came out at the theaters. I only knew about it because I saw a preview at an artsy movie theater I sometimes go to. I hope you’ll get to see it on DVD or Netflix or something like that. It’s really a wonderful movie.

      Reply
  4. Rick Maxson says

    February 17, 2017 at 9:36 am

    This is a wonderful essay, Charity. I love movies like this and you’ve encouraged me to look it up. The last words of your review/essay remind me of another beautiful film called “August Rush” about a young musician, a child prodigy. The movie centers around his words, “Music is everywhere, all you have to do is listen.”

    Thank you for this. I’ve not heard of Patterson the movie.

    Reply
    • Charity Singleton Craig says

      February 21, 2017 at 10:59 am

      I just recently watched August Rush, in fact. It was a very interesting movie, too. I do hope you can see Paterson, Rick. I think you’d really like it.

      Reply
  5. Will Willingham says

    February 17, 2017 at 7:44 pm

    Thanks for this, Charity. I’m really looking forward to watching this one. 🙂

    Reply
    • Charity Singleton Craig says

      February 21, 2017 at 10:59 am

      Thanks for all your help, LW! I think you’ll like it!

      Reply
  6. Megan Willome says

    February 19, 2017 at 1:42 pm

    Thank you, Charity! Sounds like one I would love.

    Reply
    • Charity Singleton Craig says

      February 21, 2017 at 11:00 am

      Let me know if you get a chance to see it, Megan. I’m looking forward to talking more about it.

      Reply
  7. Christina Hubbard says

    March 4, 2017 at 9:47 am

    Charity, this movie looks intriguing! It’s going on my list. Sounds like a subtle storyline with much to ponder.

    Reply
    • Charity Singleton Craig says

      March 6, 2017 at 10:19 am

      Would love to hear what you think when you see it, Christina!

      Reply

Trackbacks

  1. Poetry at Work, Chapter 1: How to Recognize a Poet says:
    January 16, 2019 at 7:30 am

    […] Related: The Writing Life: Paterson’s Blank Page. […]

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  2. Poets and Poems: Michael Spence and “Umbilical” | says:
    April 30, 2019 at 7:29 am

    […] the 2016 movie Paterson, Adam Driver plays a bus driver named Paterson, who works in the town of Paterson, New Jersey. […]

    Reply
  3. By Heart: 'Sea Poppies' + New Tracy K. Smith Challenge - Tweetspeak Poetry says:
    October 29, 2021 at 5:00 am

    […] musicality. William Carlos Williams, another Imagist poet, described the literary term in his poem Paterson as “No ideas but in things.” That definition captures H.D.’s poetry as […]

    Reply
  4. 50 States of Generosity- New Jersey - Tweetspeak Poetry says:
    March 31, 2023 at 5:02 am

    […] through the Pine Barrens (Watch out for the Jersey devil, though!). Poet and New Jersey native William Carlos Williams admired the beauty of the Paterson Great Falls and […]

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