Tweetspeak Poetry

  • Home
  • FREE prompts
  • Earth Song
  • Every Day Poems—Subscribe! ✨
  • Teaching Tools
  • Books, Etc.
  • Patron Love

Literary Tours: Robert Indiana at the Indianapolis Museum of Art

By Charity Singleton Craig 8 Comments

Don’t let the curators of The Essential Robert Indiana exhibit at the Indianapolis Museum of Art (IMA) fool you. Indiana’s greatest work is not among the paintings hanging on the wall or the giant number sculptures scattered throughout the museum or even the HOPE print used by the 2008 Barack Obama presidential campaign that hangs at the end of the exhibit.

While the world celebrates him as a meticulous Pop artist with a recognizable use of color, line, and shape, I will think of Indiana chiefly as a poet—the words and other elements in his compositions carefully chosen; a novelist—each print incorporating not just a scene but a collection of experiences; and a memoirist—revealing significant moments from his own life.

“Almost everything I’ve done has some relationship to something in my life, ” Indiana, born Robert Clark, said in 2009. “I am painting and writing my own history.” Even his name, which he changed in honor of his home state, evokes a past which both inspires him and haunts him.

My husband and I encountered Robert Indiana long before we decided to take in the exhibit on a recent Saturday. Shortly after we were married, on a visit to the same museum, we posed for a “selfie” in front of Indiana’s iconic LOVE statue,  joining our story with his, like hundreds of couples and friends and families before us.

That story, in fact, of the creation and popularity of the LOVE image is representative of much of Indiana’s work in this special exhibit.

robert indiana love stampIndiana began experimenting with the arrangement of the letters of LOVE in paintings during in the 1950s, but the design became iconic after Indiana accepted an invitation from the Museum of Modern Art to create an iteration for their 1964 Christmas card. While several combinations of colors were presented, the red, green, and blue version that was chosen hearkens back to the Phillips 66 roadside set against the blue Indiana sky that Indiana remembered from his youth in the 1930s and 40s. Those colors appear in many other of Indiana’s works, and when those colors aren’t present, various other shades serve just as symbolically not just of road signs, but of life, death, his mother and father, and other themes from his life.

When he is not working with colors, Indiana uses numbers, words, and shapes to stand in for people and events, concepts and places. “66” from the Phillips 66 road sign appears in many of the works, representing his father who worked for the well-known energy company. And while red signified Indiana’s mother, so did the number 8, the past tense of the word “eat” which was one of the last things his mother said to him before her death. Circles, which appear very prominently in much of work, particularly the autoportraits representing various years and season of his life, speak for the passage of time and were inspired by Monument Circle in Indianapolis, Indiana told a reporter from the Indianapolis Star.

The number one, “1, ” is always representative of Indiana himself.

The other aspect of the story of LOVE that characterizes Indiana’s career is the technicality that kept him from getting the legal rights to the image. Though it’s one of the most widely recognized American artworks, Indiana made little money from its widespread reproduction, including a 1973 stamp by the United States Postal Service which paid $1, 000 to Indiana for use of the image. The hard knocks of that experience seem to reappear in various of his pieces which symbolize the death of his mother, the abandonment of his father, and the political and cultural disillusionment he often felt, even from the art world. His “American Dream” series touches even more on the slippery ideal of success and prosperity that Indiana himself fell just short of.

The thing I clung to most about Indiana, about his work and process, and the thing that makes him a true storyteller, is that nothing goes to waste. Each of his pieces is layered with the elements of his past and present, combined to form a larger story. In an exhibit note, curators describe this aspect of Indiana’s work as a “mystical significance in coincidental connections.” Even when the viewer may not recognize them, Indiana incorporates dates, numbers, colors, and shapes that symbolize an intersection of people, events, and places. Exhibits like the one at the IMA, however, offer us an inside look at the symbolism and help us crack the code of Indiana’s work.

An exhibit note at “The Essential Robert Indiana” offers the following example of one such coincidence that appears in his work: “The Brooklyn Bridge has been within eyeshot of Indiana’s first New York studio, and then he discovered that the Vinalhaven quarries (Vinalhaven is the island off the coast of Maine where Indiana eventually settled and still lives today) had been the source of the bridge’s granite, which inspired a 1983 screenprint.” That screen print, known only as “Brooklyn Bridge” includes reference to that connection with these words incorporated in the design: “From the vowels of Vinalhaven to the consonants of Brooklyn and Manhattan.”

For residents of and travelers to the Midwest, “The Essential Robert Indiana” will be open at the IMA until May 4, 2014. Those not able to attend the exhibit can learn more about his work by visiting Indiana’s website or by trying their hand at creating their own symbolic autoportrait at the IMA’s interactive web page.

Cover photo by P-a-t-r-i-ck. Creative Commons via Flickr. Love stamp image via Wikipedia in the public domain. Post by Charity Singleton Craig.

Browse more Literary Tours
Browse more Art Galleries and Exhibits

Every Day Poems Driftwood

Buy a year of Every Day Poems, just $5.99

Read a poem a day, become a better poet. In March, we’re exploring the theme The Ode.

  • Author
  • Recent Posts
Charity Singleton Craig
Charity Singleton Craig
Charity Singleton Craig is the author of The Art of the Essay: From Ordinary Life to Extraordinary Wordsand co-author of the popular title On Being a Writer: 12 Simple Habits for a Writing Life That Lasts. She has served as an editor, contributing writer, and workshop leader for Tweetspeak Poetry and currently writes for corporate clients and publications such as Edible Indy. She is also a two-time recipient of the Arts in the Parks and Historic Sites Grant from the Indiana Arts Commission and the Indiana Department of Natural Resources, to write about the state parks and present writing programs to park visitors.
Charity Singleton Craig
Latest posts by Charity Singleton Craig (see all)
  • Grammar for a Full Life Book Club: On Becoming Less Possessive - June 16, 2021
  • Grammar for a Full Life Book Club: Chilling Out on the Grammar Rules - June 9, 2021
  • Grammar for a Full Life Book Club: A Passive Voice - June 2, 2021

Filed Under: Art, Art Galleries and Exhibits, Blog, Indiana Tour, Literary Tour

Try Every Day Poems...

About Charity Singleton Craig

Charity Singleton Craig is the author of The Art of the Essay: From Ordinary Life to Extraordinary Words and co-author of the popular title On Being a Writer: 12 Simple Habits for a Writing Life That Lasts. She has served as an editor, contributing writer, and workshop leader for Tweetspeak Poetry and currently writes for corporate clients and publications such as Edible Indy. She is also a two-time recipient of the Arts in the Parks and Historic Sites Grant from the Indiana Arts Commission and the Indiana Department of Natural Resources, to write about the state parks and present writing programs to park visitors.

Comments

  1. Maureen Doallas says

    March 26, 2014 at 10:24 am

    I’ve always loved that Indiana refers to himself as “a sign painter”. I posted last October 16 a video tour with Indiana at his Maine home/studio, a really wonderful look at what he surrounds himself with daily.

    Reply
    • Maureen Doallas says

      March 26, 2014 at 10:24 am

      An excellent post, Charity.

      Reply
      • Charity Singleton Craig says

        March 26, 2014 at 3:37 pm

        Thanks, Maureen. I expected to NOT like Robert Indiana, if you must know. I don’t usually like pop art or other forms of “geometric” art. Just a preference, of course. But he won me over with his visual storytelling!

        Reply
  2. Maureen Doallas says

    March 26, 2014 at 3:05 pm

    Charity,

    I follow IMA and tweeted your post. Turns out, the museum says, that Indiana writes poetry. I’ve asked if any of his poetry is available online.

    Reply
    • Maureen Doallas says

      March 26, 2014 at 3:09 pm

      Book of Love Poems:

      http://rogallery.com/Indiana_Robert/rindia-hm.htm#indianapoems

      Reply
    • Charity Singleton Craig says

      March 26, 2014 at 3:36 pm

      Maureen – That’s awesome. So when I called him a poet, he really is! I love the the IMA connected with you on Twitter, too. Good social at work!

      Reply
  3. Maureen Doallas says

    March 26, 2014 at 4:15 pm

    Charity, the museum curator indicates that several of Indiana’s poems were reprinted in art historian Susan Elizabeth Ryan’s “Robert Indiana: Figures of Speech”. I found the book at GoogleBooks, where several poems in the Appendix are available to view. Go here:

    http://books.google.com/books?id=VChCntyG_pkC&printsec=frontcover&dq=inauthor:%22Susan+Elizabeth+Ryan%22&source=bl&ots=ljIWUNdv6P&sig=Bw8iYraQX0czzPk6qtqNvKAFAZM&hl=en&sa=X&ei=FWZsUO3FNoLcqgG98YCwBg&ved=0CDAQ6AEwAA#v=onepage&q&f=false

    Reply

Trackbacks

  1. Top 10 Picks at the Indianapolis Museum of Art - says:
    August 27, 2015 at 8:01 am

    […] Spain, from Texas to New York to Washington (State and D.C.), and many more. And I can say that the Indianapolis Museum of Art is now one of my favorites—for five […]

    Reply

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Take How to Read a Poem

Get the Introduction, the Billy Collins poem, and Chapter 1

get the sample now

Welcome to Tweetspeak

New to Tweetspeak Poetry? Start here, in The Mischief Café. You're a regular? Check out our May Menu

Patron Love

❤️

Welcome a little patron love, when you help keep the world poetic.

The Graphic Novel

"Stunning, heartbreaking, and relevant illustrations"

Callie Feyen, teacher

read a summary of The Yellow Wallpaper

meet The Yellow Wallpaper characters

How to Write Poetry

Your Comments

  • Glynn on World War II Had Its Poets, Too
  • Sandra Fox Murphy on World War II Had Its Poets, Too
  • Glynn on Poets and Poems: Kelly Belmonte and “The Mother of All Words”
  • Bethany R. on Poets and Poems: Kelly Belmonte and “The Mother of All Words”

Featured In

We're happy to have been featured in...

The Huffington Post

The Paris Review

The New York Observer

Tumblr Book News

Stay in Touch With Us

Categories

Learn to Write Form Poems

How to Write an Acrostic

How to Write a Ballad

How to Write a Catalog Poem

How to Write a Ghazal

How to Write a Haiku

How to Write an Ode

How to Write a Pantoum

How to Write a Rondeau

How to Write a Sestina

How to Write a Sonnet

How to Write a Villanelle

5 FREE POETRY PROMPTS

Get 5 FREE inbox poetry prompts from the popular book How to Write a Poem

Shakespeare Resources

Poetry Classroom: Sonnet 18

Common Core Picture Poems: Sonnet 73

Sonnet 104 Annotated

Sonnet 116 Annotated

Character Analysis: Romeo and Juliet

Character Analysis: Was Hamlet Sane or Insane?

Why Does Hamlet Wait to Kill the King?

10 Fun Shakespeare Resources

About Shakespeare: Poet and Playwright

Top 10 Shakespeare Sonnets

See all 154 Shakespeare sonnets in our Shakespeare Library!

Explore Work From Black Poets

About Us

  • • A Blessing for Writers
  • • Our Story
  • • Meet Our Team
  • • Literary Citizenship
  • • Poet Laura
  • • Poetry for Life: The 5 Vital Approaches
  • • T. S. Poetry Press – All Books
  • • Contact Us

Write With Us

  • • 5 FREE Poetry Prompts-Inbox Delivery
  • • 30 Days to Richer Writing Workshop
  • • Poetry Prompts
  • • Submissions
  • • The Write to Poetry

Read With Us

  • • All Our Books
  • • Book Club
  • • Every Day Poems—Subscribe! ✨
  • • Literacy Extras
  • • Poems to Listen By: Audio Series
  • • Poet-a-Day
  • • Poets and Poems
  • • 50 States Projects
  • • Charlotte Perkins Gilman Poems Library
  • • Edgar Allan Poe Poems Arts & Experience Library
  • • William Blake Poems Arts & Experience Library
  • • William Shakespeare Sonnet Library

Celebrate With Us

  • • Poem on Your Pillow Day
  • • Poetic Earth Month
  • • Poet in a Cupcake Day
  • • Poetry at Work Day
  • • Random Acts of Poetry Day
  • • Take Your Poet to School Week
  • • Take Your Poet to Work Day

Gift Ideas

  • • Every Day Poems
  • • Our Shop
  • • Everybody Loves a Book!

Connect

  • • Donate
  • • Blog Buttons
  • • By Heart
  • • Shop for Tweetspeak Fun Stuff

Copyright © 2025 Tweetspeak Poetry · FAQ, Disclosure & Privacy Policy