Ever let the Fancy roam,
Pleasure never is at home:
At a touch sweet Pleasure melteth,
Like to bubbles when rain pelteth;
Then let winged Fancy wander
Through the thought still spread beyond her:
Open wide the mind’s cage-door,
She’ll dart forth, and cloudward soar.
O sweet Fancy! let her loose;
Summer’s joys are spoilt by use,
And the enjoying of the Spring
Fades as does its blossoming;
Autumn’s red-lipp’d fruitage too,
Blushing through the mist and dew,
Cloys with tasting: What do then?
Sit thee by the ingle, when
The sear faggot blazes bright,
Spirit of a winter’s night;
When the soundless earth is muffled,
And the caked snow is shuffled
From the ploughboy’s heavy shoon;
When the Night doth meet the Noon
In a dark conspiracy
To banish Even from her sky.
Sit thee there, and send abroad,
With a mind self-overaw’d,
Fancy, high-commission’d:—send her!
She has vassals to attend her:
She will bring, in spite of frost,
Beauties that the earth hath lost;
She will bring thee, all together,
All delights of summer weather;
All the buds and bells of May,
From dewy sward or thorny spray;
All the heaped Autumn’s wealth,
With a still, mysterious stealth:
She will mix these pleasures up
Like three fit wines in a cup,
And thou shalt quaff it:—thou shalt hear
Distant harvest-carols clear;
Rustle of the reaped corn;
Sweet birds antheming the morn:
And, in the same moment, hark!
‘Tis the early April lark,
Or the rooks, with busy caw,
Foraging for sticks and straw.
Thou shalt, at one glance, behold
The daisy and the marigold;
White-plum’d lillies, and the first
Hedge-grown primrose that hath burst;
Shaded hyacinth, alway
Sapphire queen of the mid-May;
And every leaf, and every flower
Pearled with the self-same shower.
Thou shalt see the field-mouse peep
Meagre from its celled sleep;
And the snake all winter-thin
Cast on sunny bank its skin;
Freckled nest-eggs thou shalt see
Hatching in the hawthorn-tree,
When the hen-bird’s wing doth rest
Quiet on her mossy nest;
Then the hurry and alarm
When the bee-hive casts its swarm;
Acorns ripe down-pattering,
While the autumn breezes sing.
Oh, sweet Fancy! let her loose;
Every thing is spoilt by use:
Where’s the cheek that doth not fade,
Too much gaz’d at? Where’s the maid
Whose lip mature is ever new?
Where’s the eye, however blue,
Doth not weary? Where’s the face
One would meet in every place?
Where’s the voice, however soft,
One would hear so very oft?
At a touch sweet Pleasure melteth
Like to bubbles when rain pelteth.
Let, then, winged Fancy find
Thee a mistress to thy mind:
Dulcet-ey’d as Ceres’ daughter,
Ere the God of Torment taught her
How to frown and how to chide;
With a waist and with a side
White as Hebe’s, when her zone
Slipt its golden clasp, and down
Fell her kirtle to her feet,
While she held the goblet sweet
And Jove grew languid.—Break the mesh
Of the Fancy’s silken leash;
Quickly break her prison-string
And such joys as these she’ll bring.—
Let the winged Fancy roam,
Pleasure never is at home.
Enjoy Artistic Representations of “Fancy” by John Keats
Listen to this Reading of “Fancy”
Listen to Music Inspired by the theme of Escapism in “Fancy” by John Keats
John Keats Biography
Keats was born in London on Oct. 31, 1795; a few weeks later he was baptized at St. Botolph Without Bishopsgate Church, near where his parents lived and father worked as the manager of a stable owned by his father-in-law. Keats was the eldest of four children, with George, Tom, and Fanny following him. The family was well off enough that the boys were sent to Clark’s Academy in Edmonton at what is now the north London borough of Enfield for their education; it was riding his horse home from a visit to the school that Keats’ father fell and died the next day. His mother remarried (rather quickly, in fact), fought with the rest of the family, and died fairly young from consumption or tuberculosis, which was all too common at the time and would eventually claim the life of Keats’ youngest brother, Tom, as well as Keats himself.
He was apprenticed to a local doctor, but the relationship didn’t seem to work too well. He ended up working at St. Guy’s Hospital in the Southwark district of London, continuing his medical training and writing poetry (the site of the original St. Guy’s in now occupied by London’s tallest office building, known locally as “The Shard”).
While Keats had numerous city connections (Anita Miller also has a “Keats in the City” walk), it is with Hampstead that he is most closely associated. Fellow poets lived there, as did the editor who first published his poetry. Artists whom Keats associated with lived there. Keats himself would move there with his brothers. Keats and his friends would wander Hampstead Heath, talking and arguing poetry and the issues of the day. After moving into Wentworth House in Hampstead, Keats wrote five of six famous odes, including “Ode to a Nightingale.” And it would be at Wentworth House in Hampstead that Keats would realize that he was dying from the same disease that took his mother and younger brother.
Enjoyed Fancy by John Keats and want to know more about Keats’ life? Try A Month With Keats: A Walk Into His Life
That’s it for Fancy!