Tweetspeak Poetry

  • Home
  • FREE prompts
  • Earth Song
  • Every Day Poems—Subscribe! ✨
  • Teaching Tools
  • Books, Etc.
  • Patron Love

Adjustments Book Club: Messages Out of the Dark and Dancing in the Lights

By Rick Maxson 3 Comments

night sky silhouette hill

Waiting for messages out of the dark you were poor.
The world was always yours: you would not take it.
—Archibald MacLeish

…it seems like Keats lives with some kind of tension.
Between what he is and ought to be, or maybe
between who he is and wants to be.
—Will Phillips

When I was eighteen years old, I left Columbus, Ohio, my family, all the friends I had made in high school, my best friends the Sullivan brothers, a few close girlfriends, and my beautiful, white, supercharged 1964 GTO the Sullivans rebuilt for me. I left my home and moved to Los Angeles to be a film actor. I thought it would be that simple. It wasn’t. I married there, moved to Boulder, CO, with my wife, where I lived in a dream house across from the flatirons of the Rocky Mountains, divorced there, moved back to Ohio to finish college, moved to Virginia to go to graduate school and then lived for twenty years in North Carolina, far in the country. I moved to some of these places, and from others. Even today, many years later, I wonder sometimes which was which, because sometimes it’s hard to tell. Sometimes, we are reticent to admit when we’ve moved to escape. Is that the case with Will or Cameron?

It was not confidence that allowed me to move thousands of miles from my home, not knowing a soul in California. To use a kinder word to myself, it was both desperation and naiveté. Adjustments has made me reflect: can you run to a place and run from a place simultaneously? This is one of the questions posed to Will. In a way, looking back, I was running away from home, because home held nothing for me.

Early in Adjustments, Joe Murphy tries to remember and recite a poem to Will by Archibald MacLeish. “You need some MacLeish in your life,” Joe tells him, but he can’t remember all of the poem. The poem fragment Joe remembers is from “A Speech To a Crowd.” It ends with the admonition: The world was always yours: you would not take it.

What does this mean to “take the world?” Does it apply to Will? We’ve heard of “taking the world by storm.” Can most of us do this? How do you take the world and its boundless sunrises and sunsets, its sweet, bitter and bittersweet memories, its flesh and bone before your eyes that talks and walks into your every sense, nudging you to awake from the denizens of your history?

The pages for this week have much to do with Will’s memories: the many faces of Barbara—girlfriend, Barbie doll head, clerk in the Public Records Office, a spider, and a blue ghost of a cell phone light. And the other remembrances of women and events in Will’s past, dredged up through his present events—Kelly, the Copenhagen dipping camp mate, his sister Molly, her friend Allison and a “makeover” party where Will is humiliated, and the various match-making victims of Pearl’s efforts on Will’s behalf.

I have to say my favorite pages began on that dark night where Will found Cameron walking her Jack Russell terrier. It made me ask myself if there were less ominous “messages out of the dark.”

From the point where Will realized the previously unidentified woman he’d seen jogging in the street in black was Cameron, through their sneaking into Pearl’s house, dancing in the spray of colors spilled from the stained glass window, procuring Pinot Grigio, and reading of the fairy tale “The Wild Swans,” I thought these pages illuminated Will’s colors in quite an enchanting way.

This week we’re discussing chapters 17-34 of Will Willingham’s novel Adjustments, the story of Will Phillips’s awakening and the acceptance of his frail, funny, fumbling, and beautiful selves. It is also the story of those who heartily and sometimes hesitantly helped him take the world he could accept, and the world he could change.

Get Adjustments Now

What is it we need as human beings, in spite of our past, even if we are not related, no matter if we are strangers or seem strange? What enables us to reveal ourselves to others and to ourselves. Is it not touch and the many ways we do this?

Read along with us:

November 20: Chapters 1 – 17
December 4: Chapters 17 – 34
December 11: Chapters 34 – 52

Get Inbox Delivery of Book Clubs

Our book club discussions are a patron perk.

$5 patrons can opt to get each book club edition delivered in full straight to their inboxes, with a photo and link to the discussion!

become a patron

Photo by Noriaka Tanaka, Creative Commons license via Flickr. Post by Richard Maxson.

  • Author
  • Recent Posts
Rick Maxson
Rick Maxson
I’ve had the pleasure of living in many places coast to coast and even Spain for a while. I have always had a love affair with mountains, second only to my wife. I am a poet and the Poetry Editor for Every Day Poems for T.S. Poetry Press. After ten years with Hewlett-Packard as a Technical Writer and Business Analyst, I retired in 2017. Find me on Twitter @theimaginedjay.
Rick Maxson
Latest posts by Rick Maxson (see all)
  • Pandemic Journal: War is Over (If You Want It) - January 7, 2021
  • Pandemic Journal: An Entry on How We Learn - April 23, 2020
  • Adjustments Book Club: Homecomings - December 11, 2019

Filed Under: Adjuster Stories, Adjustments, Adjustments Book Club, book club, Patron Only

Try Every Day Poems...

About Rick Maxson

I’ve had the pleasure of living in many places coast to coast and even Spain for a while. I have always had a love affair with mountains, second only to my wife. I am a poet and the Poetry Editor for Every Day Poems for T.S. Poetry Press. After ten years with Hewlett-Packard as a Technical Writer and Business Analyst, I retired in 2017. Find me on Twitter @theimaginedjay.

Comments

  1. Will Willingham says

    December 5, 2019 at 12:55 pm

    It’s funny because MacLeish kind of found his way into the story by accident. I’d gotten a copy of a collection of his along with the Keats volume, and I started looking at it to see if there was anything to add. And I stumbled on the referenced poem.

    The line you quote above, “the world was always yours: you would not take it” is so fitting for Joe’s conversations with Will, illuminating all the ways that things are right there in front of him and he won’t make a move for them. Here’s hoping that Will went home and read the rest of the poem…

    Reply
    • L.L. Barkat says

      December 5, 2019 at 1:12 pm

      What I find interesting is that Will began taking the world before he knew it, sparked by that meeting with the puzzling and gently powerful old man who invited him in to far more than an insurance claim. The way Will compelled himself to climb the tower on the way home, though it was hard, seemed to presage that new openness to what life was going to hold out to him (and what he would agree to receive) through Joe, through Cameron, even through Pearl whom he’d known for a while.

      Sometimes, everything we have is already within us. What we need is someone or something to call to it. Joe called. (Hee. 🙂 Quite literally! 🙂 )

      The many faces of Barbara tend to be oddly disembodied, while also being part of something much larger. Again, I note that this gives the sense that Barbara is “the system” more than any single character or object. But maybe “Barbara” is also how the system can make us feel: separated from what is whole and heart-nurturing.

      I loved the dancing scene. It did, yes, illuminate Will’s colors. He denied this even as Cameron made the observation. But, nevertheless, the reader agrees with Cameron: Will knew how to dance, instinctively, by tracing what was beautiful beneath his feet.

      Reply
      • Richard Maxson says

        December 5, 2019 at 4:02 pm

        One of the funniest scenes where Barbara is “the system” is the Public Records Office with its lines and bell, blatantly pitting Will against ‘rules for rules sake.’ It reminded me of the hotel scene in The Graduate where Ben has to ring for the desk clerk. It also reminded me of the ‘chicken-salad sandwich scene in the movie Five Easy Pieces. If you’ve never seen the movie, the scene is available on YouTube.

        Will being haunted by Barbara was also evident in the body-less Barbie doll, who turned out to be not what Will envisioned her to be.

        It seemed like a reader could spend a considerable search just looking for items, people, and events that were not what they seemed. Another one that stands out for me was part of that benevolent ‘message out of the dark’ the story of Judge Barkley and the punk who insulted his wife. It seemed a lesson for Will that it doesn’t take a he-man to stand up to a bully.

        Reply

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Take How to Read a Poem

Get the Introduction, the Billy Collins poem, and Chapter 1

get the sample now

Welcome to Tweetspeak

New to Tweetspeak Poetry? Start here, in The Mischief Café. You're a regular? Check out our May Menu

Patron Love

❤️

Welcome a little patron love, when you help keep the world poetic.

The Graphic Novel

"Stunning, heartbreaking, and relevant illustrations"

Callie Feyen, teacher

read a summary of The Yellow Wallpaper

meet The Yellow Wallpaper characters

How to Write Poetry

Your Comments

  • Glynn on World War II Had Its Poets, Too
  • Sandra Fox Murphy on World War II Had Its Poets, Too
  • Glynn on Poets and Poems: Kelly Belmonte and “The Mother of All Words”
  • Bethany R. on Poets and Poems: Kelly Belmonte and “The Mother of All Words”

Featured In

We're happy to have been featured in...

The Huffington Post

The Paris Review

The New York Observer

Tumblr Book News

Stay in Touch With Us

Categories

Learn to Write Form Poems

How to Write an Acrostic

How to Write a Ballad

How to Write a Catalog Poem

How to Write a Ghazal

How to Write a Haiku

How to Write an Ode

How to Write a Pantoum

How to Write a Rondeau

How to Write a Sestina

How to Write a Sonnet

How to Write a Villanelle

5 FREE POETRY PROMPTS

Get 5 FREE inbox poetry prompts from the popular book How to Write a Poem

Shakespeare Resources

Poetry Classroom: Sonnet 18

Common Core Picture Poems: Sonnet 73

Sonnet 104 Annotated

Sonnet 116 Annotated

Character Analysis: Romeo and Juliet

Character Analysis: Was Hamlet Sane or Insane?

Why Does Hamlet Wait to Kill the King?

10 Fun Shakespeare Resources

About Shakespeare: Poet and Playwright

Top 10 Shakespeare Sonnets

See all 154 Shakespeare sonnets in our Shakespeare Library!

Explore Work From Black Poets

About Us

  • • A Blessing for Writers
  • • Our Story
  • • Meet Our Team
  • • Literary Citizenship
  • • Poet Laura
  • • Poetry for Life: The 5 Vital Approaches
  • • T. S. Poetry Press – All Books
  • • Contact Us

Write With Us

  • • 5 FREE Poetry Prompts-Inbox Delivery
  • • 30 Days to Richer Writing Workshop
  • • Poetry Prompts
  • • Submissions
  • • The Write to Poetry

Read With Us

  • • All Our Books
  • • Book Club
  • • Every Day Poems—Subscribe! ✨
  • • Literacy Extras
  • • Poems to Listen By: Audio Series
  • • Poet-a-Day
  • • Poets and Poems
  • • 50 States Projects
  • • Charlotte Perkins Gilman Poems Library
  • • Edgar Allan Poe Poems Arts & Experience Library
  • • William Blake Poems Arts & Experience Library
  • • William Shakespeare Sonnet Library

Celebrate With Us

  • • Poem on Your Pillow Day
  • • Poetic Earth Month
  • • Poet in a Cupcake Day
  • • Poetry at Work Day
  • • Random Acts of Poetry Day
  • • Take Your Poet to School Week
  • • Take Your Poet to Work Day

Gift Ideas

  • • Every Day Poems
  • • Our Shop
  • • Everybody Loves a Book!

Connect

  • • Donate
  • • Blog Buttons
  • • By Heart
  • • Shop for Tweetspeak Fun Stuff

Copyright © 2025 Tweetspeak Poetry · FAQ, Disclosure & Privacy Policy