Tweetspeak Poetry

  • Home
  • FREE prompts
  • Earth Song
  • Every Day Poems—Subscribe! ✨
  • Teaching Tools
  • Books, Etc.
  • Patron Love

Poetry Prompt: The Farm—Endings and Pretending

By Callie Feyen 9 Comments

What endings do we see on a farm in summer?
If you’re going to do something risky or scary, if you’re going to do something that has no guarantee of success but doing it is the only option, if you’re about to take “the next step,” or are seeking the surprising answer, then I think you ought to surround yourself with poets.

I’m not trying to knock other genres — the fictionists and the CNFers. We are fabulous, no doubt, but we wear our anxiety and doubt like armor, whereas poets turn it into a thing of beauty. Here, they’ll say quietly, reaching towards us as we grip our pens like daggers, give me that insecurity, that navel gazing, that fierce skepticism and let me knit a cozy scarf for you. There, there. Let’s making something with all this pain and angst, shall we?”

“Everything has a duality to it,” Jeanne Murray Walker said once when she was teaching a group of us about Anna Kamienska’s poetry. I heard her say this on Whidbey Island, while I was in graduate school. One of Kamienska’s poems we studied was “The Time of Harvest and the Time of Poems Is Passing.”  I read it there on the island and drew a square around the last line: “This hour too will be more lovely in recollection.”

“She will look back on this moment as a fondness,” I wrote below the poem. “And I’m going to look back on this and see that something wonderful was going on.”

There was Jill, Diane to my Anne, who I met in the Albuquerque airport, and who asked me in her friendly drawl, “Are you here for writing?” She reminded me what I had flown across the country for. She reminded me of the risky, no guarantees, next step thing I was there for.

Melissa shared carrots with me and listened as I clamored on about my daughters and the fact that this was the first time I was away from them — the first time, the longest length of time and the longest distance — while we shared a ride to Santa Fe. I have never seen anyone read poetry with more delight than Melissa.

Jess was my roommate during my first graduate residency. In order to get to her room, she had to go through mine. I like to think of myself as a late bloomer, but that year I felt like an old lady who had fooled herself into thinking she could learn to write. And, in fact, I was the oldest person in my cohort, perhaps out of all the graduate students that year (I was older than one of the mentors, the one who endorsed my first book). That first residency was probably the most insecure I’ve ever felt. Every day was like being in middle school times a billion.

One night, after I’d gone to bed, Jess opened the door to get to her room. We hadn’t said much to each other up to that point, save for smiles and how’s it goings, but that night she opened the door, stood at the threshold for a second and said, “There’s no way this will ever not be awkward.”

I laughed for the first time that week, thankful to have my insecurity named and made into a joke that dissolved the burden I was carrying because I was too afraid and not creative enough to do anything with how I felt.

Going to graduate school was a beginning for me, but it was an ending as well, to who I thought I should be. The adult woman I believed I needed to be was no longer, and I was figuring out the person who was emerging from my disintegrated definition. Being around poets helped me see beauty in endings, and it helped me pretend until I could believe.

With that in mind, today’s poems have to do with farming, but they also have to do with endings and pretending — two matters we must handle when pursuing the risky next step.

These poems are from Jess Gigot, Ph.D, who is one of the two farmers at Harmony Fields which is in the Skagit Valley of Washington State. She and her husband, Dean, tend to their sheep, grow organic herbs, and perform bluegrass music in their band called The Dovetails. I highly recommend her book of poetry called Flood Patterns.

Falling Farm
for Georgie

As the last leaves gather
Around the base of the chestnut
Geese return to the westward field.
They coolly comb the vacant rows
Once corn, now stubble.
Snow spans its wings across the hills
Like angels; the glossy glow of dawn
Shines prophetic on leaf and hoof.
Donkey, sheep, gentle herb
Stand against the frigid dark –
It’s doggedness that does it
And faith in the next spring.
Let our bevy glide into winter
With no wisps of despair.
Let us celebrate every solemn
Slap of rime and remember –
A fire breathes beneath the cold.

Pretending to Be St. Francis

The sheep greet me at the fence
As I carry grain from the shed
To the wooden feeder.
I am groggy and waking up slowly.
I feel them sensing me out
Of their black dash eyes –
A bleat, and then a nudge
Behind my knee.
I strew barley and oats,
Jam the racks with hay squares.
They chomp and swallow
Many loud thankyous.
Sometimes I feel their gratitude
Sometimes I just see breath.

Try It

Use the farm as your setting, or use farming language, and write an ending or a pretending poem. As summer nears to an end and transition to a new season begins, what do you notice? What have you sown that has grown beyond what you dreamed? What can you pretend until you believe?

Featured Poem Excerpt

Thanks to everyone who participated in our recent poetry prompt. Here’s a poem from Sandra we enjoyed:

Between the Lines

    from a Pictorial Review Standard Cook Book (Special 1931 Edition),
    in which I found yellowed sheets where my mother-in-law had planned various menus
    (including diagrammed table setups) for local farming events

Charlotte Grange Fried Chicken Supper
October 18, 1941
Served 190 persons
Planned on 200
25 chickens–none left
1-1/2 bushels potatoes–none left
50 pounds of cabbage
3 heads left, weighing 20 pounds
32 pounds of cottage cheese
40 quarts of applesauce
19 pies, 3 cakes and 3 quarts
of whipping cream
diluted for coffee.

Kieser Farm Face-Lifting Lunch
September 15, 1949
Planned on 1000 people
Mrs. Fulton’s barbeque recipe
serves 250
hamburger buns for $8.82
from Holsum Bread Company
ran out.
pies and fried cakes
chips and ice cream
on north and south sides
gum and candy on the east
cashiers on the west.

—Sandra Heska King

Photo by Mobilus in Mobili Creative Commons, via Flickr. Post by Post by Callie Feyen, author of The Teacher Diaries: Romeo and Juliet.

Browse more poetry prompts

The Teacher Diaires Front Cover with Lauren Winner

This is a book about being a teacher, and about being a mother, and, in its way, about being a writer. But it is most fully a depiction of living with a work of literature, about the conversations literature can spark and the memories literature can hold and reconfigure. The acknowledgments suggest that writing this book helped Callie Feyen remember why she loved teaching. Reading it made me remember why I love to read. —Lauren Winner, bestselling author and Associate Professor, Duke Divinity School

BUY THE TEACHER DIARIES NOW

  • Author
  • Recent Posts
Callie Feyen
Callie Feyen
Callie Feyen likes Converse tennis shoes and colorful high heels, reading the poetry of Gerard Manley Hopkins, and the Twilight series. Her favorite outfit has always been a well-worn pair of jeans and a white T-shirt, but she wants hoop skirts with loads of tulle to come back into style. Her favorite line from literature comes from Sharon Creech’s Absolutely Normal Chaos: “I don’t know who I am yet. I’m still waiting to find out.” Feyen has served as the At-Risk Literacy Specialist in the Ypsilanti Public Schools and is the author of Twirl: my life with stories, writing & clothes and The Teacher Diaries: Romeo and Juliet.
Callie Feyen
Latest posts by Callie Feyen (see all)
  • Poetry Prompt: Courage to Follow - July 24, 2023
  • Poetry Prompt: Being a Pilgrim and a Martha Stewart Homemaker - July 10, 2023
  • Poetry Prompt: Monarch Butterfly’s Wildflower - June 19, 2023

Filed Under: Blog, Farm Poems, poetry, poetry prompt, poetry teaching resources, writer's group resources, writing prompt, writing prompts

Try Every Day Poems...

About Callie Feyen

Callie Feyen likes Converse tennis shoes and colorful high heels, reading the poetry of Gerard Manley Hopkins, and the Twilight series. Her favorite outfit has always been a well-worn pair of jeans and a white T-shirt, but she wants hoop skirts with loads of tulle to come back into style. Her favorite line from literature comes from Sharon Creech’s Absolutely Normal Chaos: “I don’t know who I am yet. I’m still waiting to find out.” Feyen has served as the At-Risk Literacy Specialist in the Ypsilanti Public Schools and is the author of Twirl: my life with stories, writing & clothes and The Teacher Diaries: Romeo and Juliet.

Comments

  1. Richard Maxson says

    August 27, 2018 at 9:46 am

    For awhile in the early 1990s I fell on hard times due to a non-compete agreement with a dishonest company I quit. I moved to the country and agreed to build a 20 horse barn with a another man on a property in exchange for rent. As the barn was reaching completion I liked to sleep up in the loft. This is partially a pretending poem written in 1997 about one of those evenings.

    Nineveh

    Tonight I sleep in the finished loft,
    spruce ribs from plates to ridge,
    design of five centuries, first pine.
    The moon is a bent nail
    off the eastern sill, where the copper sun
    set, hammered well in sky cut for the mow door.

    Some works will have the hands they choose,
    bring the living and the dead
    to fit crowns to the earth’s round.

    Here is an unlikely place
    for redemption. The road so named,
    sliced at both ends by highway,
    no longer reaches Fayetteville,
    but divides the pasture land
    from city homes, five to an acre.

    To the fence they come to talk,
    but don’t see the constellations
    off a Dutch slope. They want
    a faster life, more for less, new milk
    in barn-gallons for a king’s gallon price.

    I thank them for their compliments
    and say, it’s just a barn—an ark, yes,
    I can see it that way.

    Here there are hundreds
    who cannot tell their left hand
    from their right. Yet, we are
    somewhat alike,
    with dogs and children,
    and somewhere we are late arriving.

    I close my eyes and hear the mortise
    and tenon grate, as the night drifts.

    The clouds move like a wake,
    scattering fishes on a black sea—
    the loft floats in a slow sway—
    the ribs flesh and a heart beats
    in my ears. With a sharp wail
    a nail twists—the flesh turns
    and sounds in a dream of a different shore.

    Reply
    • Callie Feyen says

      August 28, 2018 at 1:55 pm

      Richard,
      When I was in grad school, one of my mentors would ask us where the heart was in the work that we were sharing. She wanted us to look for the pulse in what we wrote. I think “Here is an unlikely place/for redemption” is the heart of this poem, but I feel it’s pulse in the nail and all it does throughout your poem.

      Reply
      • Richard Maxson says

        August 29, 2018 at 8:36 am

        Thank you for your comment, Callie.

        I think it is obvious what fleshes out in the poem, what the “pretending” is. The barn loft always seemed to come alive when all was quiet at night. I think you are on to something with the nail. Using a crescent moon I tried to bring the barn into nature. And, yes, in the end a nail and the wood itself are the voice of my imaginary creature.

        I use a nail in a similar fashion in another poem, “A Kind of Sleep,” one of my first posts in Tweetspeak.

        Reply
  2. Sandra Heska King says

    August 27, 2018 at 4:39 pm

    I love “meeting” your friends here, Callie. And this made me laugh out loud, “There’s no way this will ever not be awkward.”

    Thanks so much for featuring my poem. I haven’t had time to participate much lately, but I’ll try to play with this week’s prompt. 🙂

    Reply
  3. Katie says

    August 27, 2018 at 9:41 pm

    Come rain, come hail
    come crow or locust
    still fields are tilled and sown

    Decade after year after year
    season follows season
    harvest of boom or bust

    Honest labor, dirty work
    team effort and sacrifice
    brings sustenance and reward

    Long days into dark
    early starts, late stops
    never finished, just paused

    Plans go according or awry
    skies and time will tell
    whether feast or famine

    Larders full, tables bend
    Bumper crop, land produces
    consumers purchase bounty

    Dry land, wet land
    production varies
    wracking the grower’s nerves

    Next generation weighs the cost
    many leave, few remain
    to plan, plant, wait and hope.

    *****
    I considered titling this poem “Dying Breed” or “Suspenseful Activity”

    I’m endeavoring to exalt farmers for the toils, trepidation, and trials they face. Their enduring optimism deserves to be recognized and honored.

    I was attempting to show the up and down, back and forth experience of farming while alluding to the fact that many farmers are seeing an end to generations carrying on this vocation.

    Reply
    • Callie Feyen says

      August 28, 2018 at 1:59 pm

      I read, “Long days into dark/ early starts, late stops/ never finished, just paused,” and I FEEL those words. It seems these are what we are standing on these last few days of August.

      I also like, “harvest of boom or bust.” What an urgent phrase!

      Reply
      • Katie says

        August 29, 2018 at 10:30 am

        Thank you, Callie:)

        Reply

Trackbacks

  1. Writing Prompt: The Alphabet—Start With Who You Are - says:
    September 4, 2018 at 3:21 pm

    […] to everyone who participated in our recent poetry prompt. Here’s an excerpt from a poem by Richard Maxson we […]

    Reply
  2. Poet Laura: Passing on the Laura-ship - Tweetspeak Poetry says:
    October 6, 2022 at 5:02 am

    […] a poem about endings, and savoring, for example, a last swim in early October in a Blue Ridge Mountain […]

    Reply

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Take How to Read a Poem

Get the Introduction, the Billy Collins poem, and Chapter 1

get the sample now

Welcome to Tweetspeak

New to Tweetspeak Poetry? Start here, in The Mischief Café. You're a regular? Check out our May Menu

Patron Love

❤️

Welcome a little patron love, when you help keep the world poetic.

The Graphic Novel

"Stunning, heartbreaking, and relevant illustrations"

Callie Feyen, teacher

read a summary of The Yellow Wallpaper

meet The Yellow Wallpaper characters

How to Write Poetry

Your Comments

  • Glynn on World War II Had Its Poets, Too
  • Sandra Fox Murphy on World War II Had Its Poets, Too
  • Glynn on Poets and Poems: Kelly Belmonte and “The Mother of All Words”
  • Bethany R. on Poets and Poems: Kelly Belmonte and “The Mother of All Words”

Featured In

We're happy to have been featured in...

The Huffington Post

The Paris Review

The New York Observer

Tumblr Book News

Stay in Touch With Us

Categories

Learn to Write Form Poems

How to Write an Acrostic

How to Write a Ballad

How to Write a Catalog Poem

How to Write a Ghazal

How to Write a Haiku

How to Write an Ode

How to Write a Pantoum

How to Write a Rondeau

How to Write a Sestina

How to Write a Sonnet

How to Write a Villanelle

5 FREE POETRY PROMPTS

Get 5 FREE inbox poetry prompts from the popular book How to Write a Poem

Shakespeare Resources

Poetry Classroom: Sonnet 18

Common Core Picture Poems: Sonnet 73

Sonnet 104 Annotated

Sonnet 116 Annotated

Character Analysis: Romeo and Juliet

Character Analysis: Was Hamlet Sane or Insane?

Why Does Hamlet Wait to Kill the King?

10 Fun Shakespeare Resources

About Shakespeare: Poet and Playwright

Top 10 Shakespeare Sonnets

See all 154 Shakespeare sonnets in our Shakespeare Library!

Explore Work From Black Poets

About Us

  • • A Blessing for Writers
  • • Our Story
  • • Meet Our Team
  • • Literary Citizenship
  • • Poet Laura
  • • Poetry for Life: The 5 Vital Approaches
  • • T. S. Poetry Press – All Books
  • • Contact Us

Write With Us

  • • 5 FREE Poetry Prompts-Inbox Delivery
  • • 30 Days to Richer Writing Workshop
  • • Poetry Prompts
  • • Submissions
  • • The Write to Poetry

Read With Us

  • • All Our Books
  • • Book Club
  • • Every Day Poems—Subscribe! ✨
  • • Literacy Extras
  • • Poems to Listen By: Audio Series
  • • Poet-a-Day
  • • Poets and Poems
  • • 50 States Projects
  • • Charlotte Perkins Gilman Poems Library
  • • Edgar Allan Poe Poems Arts & Experience Library
  • • William Blake Poems Arts & Experience Library
  • • William Shakespeare Sonnet Library

Celebrate With Us

  • • Poem on Your Pillow Day
  • • Poetic Earth Month
  • • Poet in a Cupcake Day
  • • Poetry at Work Day
  • • Random Acts of Poetry Day
  • • Take Your Poet to School Week
  • • Take Your Poet to Work Day

Gift Ideas

  • • Every Day Poems
  • • Our Shop
  • • Everybody Loves a Book!

Connect

  • • Donate
  • • Blog Buttons
  • • By Heart
  • • Shop for Tweetspeak Fun Stuff

Copyright © 2025 Tweetspeak Poetry · FAQ, Disclosure & Privacy Policy