Literary agent Mark Gottlieb of Trident Media Group discusses an author’s platform, self-publishing, and the state of the publishing industry today.
Why should National Poetry Month be oh-so-predictable? Here are 5 sparkling ways to add a little shine to April.
Literary agent Mark Gottlieb of Trident Media Group discusses his job, how he became involved in publishing, and publishers’ expectations of authors.
The paintings of artist Donald Wilkinson evoke the landscape and poetry of William Wordsworth, so much so that landscape and poetry become one.
“Let Them Eat Chaos” by Kate Tempest is a long poem written to be read aloud, and it blows up the boundaries between poetry and performance.
“Guilty Thing: The Life of Thomas De Quincey” by Frances Wilson details the life of the writer who had, and still has, a major influence on literature.
In “Mariner: A Voyage with Samuel Taylor Coleridge,” Malcolm Guite tells the story of the poet’s life through the words and themes of his most famous poem.
“Still Pilgrim” by poet Angela Alaimo O’Donnell tells us that both the major events of our lives and the everyday are but steps in a pilgrimage.
“The Performance of Becoming Human” by Daniel Borzutzky won the National Book Award for Poetry, and its 18 poems confront political and social issues.
Before “The Hobbit” and “The Lord of the Rings,” there were “The Children of Hurin” and “The Lay of Aotrou & Itroun” by J.R.R. Tolkien.
Jacob Polley’s poetry collection “Jackself” won the T.S. Eliot Poetry Prize for 2016, and it’s a work filled with folklore, childhood, and imagination.
Collections by Sandee Gertz Umbach and Lori Lamothe demonstrate how poets shape their words and images to communicate what inspires them.
“Pickwick Papers” explains why Charles Dickens first became popular, but “David Copperfield” demonstrates why Dickens has endured.
Megan Willome’s reading of Rita Dove’s Thomas and Beulah is a reminder that sometimes the moments that change us most aren’t the ones that make the news.
“Disinheritance” by John Sibley Williams is a beautiful, moving collection of poems dealing with grief, both real and imagined.
Reading poetry can lead to the discovery of other poets and their poetry, such as what happened when other poets led to Norman Nicholson and Frank Stanford.
In times of great change – political, social, economic – we turn to poetry to make sense of what seems nonsensical, to comfort, to explain, says poet Jane Hirshfield.
“Wife, ” winner of the Forward Prize for best first collection, challenges our notions of what marriage mean, but ends up reaffirming the idea of commitment.